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Table of contents

1. West of the access track 233 routes in Sector

Summary:
JFMAMJJASOND
seasonality
Mostly Trad

Long/Lat: 152.618998, -27.984831

Description:

7 Routes start from Plume Ledge. The first two routes "Bitching and Back-Stabbing" & "Midnight Lightning", start to the left of "Witches Cauldron pitch 2". All the others start to the right.

Access Issues: inherited from Frog Buttress

Access to Frog was recently restricted due to a phytophthora outbreak.

The rangers have installed a boot scrub station. Please use these and help prevent the spread.of the disease.

For more information, see here: http://queenslandclimbing.yuku.com/topic/7354/Update-on-Frog-Closure

Ethic: inherited from Frog Buttress

Frog is seen by some as the last bastion of "hard man" ethics in Qld. It features predominantly naturally protected crack climbing of the highest quality.

Therefore it is not Kangaroo Point or Nowra, and anybody expecting to come to Frog on a sport climbing mission should pack up their draws and lycra pants and go back there. Retro bolting is severely frowned upon, and bolts are to be placed only on first ascents if there is no protection of any kind available. (Bolting is technically illegal in national parks, be warned). Failure to follow this simple rule could see the bolts chopped and the offender dragged into the bushes by strange bearded men, and then clubbed to death by No. 8 hexes.

Chipping of holds is strictly forbidden, and budding sculptors should piss off. If you can't do the climb, don't lower it to your standard, instead, raise your standard to the level of the climb! Top roping is frowned upon, more so because setting up top anchors can be quite difficult and even dangerous due to the very loose nature of the top of the cliff.

Large portable stereos also seem to have an unfortunate habit of having rocks land on them! Bury toilet waste well away from the walking track, and please carry all rubbish out with you!

Credit: A Cheap and Nasty Guide to Frog Buttress. Andrew Martin

RouteGradeStyleSelected ascents
1 Trick or Treat

What a complete waste of time, paper and oxygen! Yet another case of beard stroking bumblies at work.

FA: Bill Norris, 1980

14Trad 4m
2 Left Behind 22Trad
3 * Lord Drool

Really good climbing, a pity about the gear. Start on the ledge above SOH. Off-balance moves up a L leaning seam get you to a stance and a very lonely carrot bolt. From there sequency and thin moves see you to the top. Easier if you reach around to the R. Potential for a very effective deck-out if you fall from near the top. A good candidate for top roping.

FA: Richard Henderson, 1986

22 RSport 6m
4 Sleight of Hand

Really very good and deserves to be more popular. Originally done as a solo. The small dark wall to the left of COC offers enjoyable and classy face climbing. Yet another top rope candidate as the climbing should really not be missed. Take off a grade if you're tall!

FA: Kevin Pearl (solo), 1979

20 RTrad 8m
5 * Clockwork Orange Corner

Very popular, mainly due to the fact that it stays in the shade all day! Classy but technical climbing ascends the very obvious corner R of SOH. Excellent gear with a slightly awkward and overhung crux. Up easily to belay at the trees on the large ledge.

FA: Rick White, Chris Meadows, 1968

13Trad 15m
6 Bel-air

Up the crack on the R edge of the COC chimney. Climb this till it ends at a daunting overhang. Whack in a nest of gear and blast for the bolt (carrot) over a hard bulge for a move or two. Continue R and finish easily.

FA: Paul Hoskins Re-established by Richard Henderson, Paul AcAntee, 1980

23Trad 15m
7 ** Blow by Blow

Solo up the face of the pillar to the left of OA up to a ledge and tree. It is best to get off there. If you must, climb the shallow seam just to the L of OA on very dodgy pro to the top.

FA: Mike Law, 1970

17 RMixed 18m, 1
8 Orchid Alley

Often nicknamed "Awkward Alley". This climb gets far more attention than it deserves. Climb a great hand crack corner to a flake at 3m... the good climbing ends there. Blast up the wide and grunty crack to the ledge with a tree on the L. From here 3 lines are possible, the L most is probably the best option, but they all suck!

FA: Rick White, Chris Meadows, 1968

14Trad 20m
9 Strawberry Alarm-clock

No good. The dark chimney to the left of DWHP offers basically no protection and is a desperate and scary lead for the novice climber. A large block at half height provides the crux as well as the only decent piece of pro!

FA: Rick White, Chris Meadows, 1968

10 RTrad 20m
10 ** Down With His Pants

Arete following up 3 carrots just on the left of the scree slope. Start just to the right of 'SA' chimney.

Stuart Camps and Gordon Bieske originally did the top crack in March 1983, called Runners are Nuts.

FA: Roger Bourne, Evan Bieske, 1985

24Mixed 20m, 3
11 Nemesis

This wide and daunting crack has seen more than its fair share of aspiring leaders turned into a dribbling, pumped, senseless mass of despair! The gear is excellent, but make sure you take up plenty of big gear to protect this climb adequately. Without this protection, a ground fall is extremely probable. Lay back up the first crack on polished foot holds to a ledge at 6m. From here, thrash up the wide crack until it is possible to step R. Easily to the top.

FA: Ted Cais, Mike Meadows, 1969

19Trad 25m
12 Lambs Fry

Very difficult for the vertically challenged! Kick off the tree to get up the initial blank corner. A hard mantle onto a choss-filled ledge gains a rest. Up the cracked arete above.

FA: Jeff Lamb, Dave Wagland, 1980

23Trad 25m
13 Lape

An absolute must do for the aspiring hex-clanking, hemp rope-using, old school, lord of thrutch! The horrible tight chimney to the L of AS. A difficult move off the top of the pillar and fairly dodgy pro all the way add to the ambience of this climb.

FA: Lance Rutherford and BWC party., 1969

12Trad 27m
14 American Snake

Up Lape to the top of the pillar (you have already been warned). Step R and up the arete, then good pro and moves in the crack above. The move off the pillar is hard and unprotected.

FA: Paul Hoskins, Fred From., 1981

21Trad 27m
15 * No Return

Start up the finger crack in the V-groove R of Lape, step off the top of the pillar, but continue out to the arete. Up this shaky affair past a roof to a ledge. Continue up and around R to finish. Absolutely desperate, with quite small and shallow gear at the crux!

FA: Rob Staszewski, 1979

22Trad 30m
16 No Return Direct Finish

The corner above the ledge. Not really a lot better than the original.

FA: Chris Shepherd, 1982

FA: Paul Hoskins, 1983

23Trad 5m
17 ** Life at the Top

Quite risky and serious. Climb the tree R of NR until you can step onto the blank face above the bulge. Follow a thin pocketed seam until it ends, keep going R until a jug comes to hand. Mantle as for NR.

FA: Chris Shepard. Roger Bourne eliminated the two fixed slings., 1982

25 RTrad 30m
18 ** Time for Tea

Classy climbing up a visionary line. Go up the broken corner R of NR, to some rooflets. Past these on the left, passing bolts. From here, veer up and L (nut possible), then begin angling diagonally to the arete. From there, veer L to the top on super thin holds, and quite exposed climbing.

FA: Steve Mayers, 1987

27Trad 35m
19 * You Climb This, I'll Climb Something Else

Death. Start at the arete just R of TFT. Climb past 2 bolts and a wire at the roof. From here, climb with tendon-rupturing brutality up the arete and wall past the gap where Rob removed the bolts, thereby returning the route to its original state. This was done to hounour Rick Whites' dream of a bolt-free cliff.

FA: Rob Staszewski. Direct start added by Scott Camps., 1984

25 RTrad 40m
20 Fat Dog

The utterly contrived piece of junk to the L of A1. Step off the rock pedestal onto the arete. Climb the face, avoiding the crack, to the ledge above. Move R to a crack system and finish up the thin seam.

FA: Andrew Barry, 1983

22Trad 10m
21 Arknamton 3

This climb is horrible. A very short, vegetation-filled off-width with loose rock and poor pro. If you decide to climb this, hit yourself really hard, and move on!

FA: Kevin Pearl, Fred From, 1978

18 RTrad 12m
22 Arknamton 1

Grotty climbing on loose flakes makes this yet another death lead classic! Up the hollow flakes, with surprisingly ok gear to the ledge. Ascend the corner behind to the top.

FA: Ross Allen, Sid Tanner, 1969

14 RTrad 30m
23 Arknamton 2

Surprisingly good. Fun climbing up the corner, with excellent gear. The route has one weird move before it eases. Rap off here, or finish as for A1.

FA: Ross Allen, Sid Tanner, 1969

18Trad 30m
24 Non Compos Mentis

A blight on the face of the world. 10 sticks of dynamite could only assist in making this climb slightly better. The wide, loose, dark line, full of loose blocks and worse!

FA: Joe Lynch, Jeff Morgan., 1981

19 RTrad 25m
25 ** Dangerously Sane

The orange arête between Non Compos Mentis and Self Expression. Start in NCM, nice moves up and diagonally R past a small triangular pedestal to gain a crack on the R wall, (alternatively, thrutch up the ugly offwidth). Hug the arête passing two BR's (crux) to another small pedestal (alien/TCU on R). Continue straight up the arête to finish R of the bulging rock on top. Chain on tree. 2 BR's, wires, SLCD's. A small alien or TCU in a thin slot makes the second half less dangerous/more sane. It fits a quadcam but not as well.

FA: Matt Hutton, Danny Rose

23Trad 22m
26 ** Self Expression

Truly insane climbing up a desperately thin seam. Wobble and shake and whimper your way up on good RPs, small wires and one crappy piton. Strenuous, technical and classy. This was an awesome and inspiring effort by Kim Carrigan.

FA: Kim Carrigan, 1984

26Trad 20m
27 Canned Heat

The orange, shattered corner to the R of SE. Bush bash about 10m to the base of the route. Loose and often dirty, this route is quite demanding for the grade. Protection is ample; placing it is another thing.

FA: Rick White, Ian Cameron, 1969

17Trad 20m
28 * How Are Your Calluses Today

This brutal and sustained tendon destroyer features some of the sharpest and thinnest crimpers on the cliff. Step onto the L side of the large blank wall to the L of EF. Follow the line of bolts up the face to the top.

FA: Sebastian Schwertner, 1992

29Trad 20m
29 ** Electronic Flag

A long and very popular series of corners and cracks. An optional direct start up the desperate corner and crack goes at grade 19. This used to be 17, but the thrashing feet of 10 thousand struggling leaders have reduced this to a spit polished sandbag. One alternate start goes up the crack 2m on the L which leads to a short chimney; this goes at 17. The 14 variant starts 6m L up the line of least resistance. Blast up this to a ledge, and then thoroughly absorbing climbing up the overhanging chimney section. Rap at trees and chain (2 ropes to get down).

FA: Rick White, Ian Cameron, 1969

14Trad 40m
30 * Electronic Flag DS

Instead of climbing around it, go straight up the almost perfect crack in the almost perfect corner.

19Trad 10m
31 * Second Song

A traverse from 'Electronic Flag' over to 'Fluid Journey'.

FA: Stuart Camps, Scott Camps, 1984

18Trad 30m
32 ** Paranoia

Brutal but amazing climbing up the searing corner R of EF. Up and L into the seam proper to a small stance. Blast up this to the ledge above. Completely unrelenting in the second half. Despite its appearances this route is well protected. Bring loads of small wires and cams.

FA: Kim Carrigan, 1978

25Trad 25m
33 The Gentle Lion

A good second pitch to Paranoia. Climb the improbable and technical shallow seam directly above. There are some dodgy flakes on the face: beware! Join 'Wango Tango' (which comes in from the R), continue easily to the top.

FA: Dave Faernley, Kim Carrigan, 1982

24Trad 12m
34 *** Worrying Heights

Absolutely stunning climbing up one of the better lines on the entire cliff! This long and technical corner involves some of the most amazing bridging and lay backing there is. Finish up Piranha.

FA: Chris Peisker., 1979

24Trad 30m
35 * Ginger Bitch

A direct finish to QC, or a fun variant finish for Insomnia. Instead of stepping R and climbing up the finish of Insomnia, climb the arete directly above the finish of QC passing 2 bolts. Bowel-rupturing exposure, and nice technical movement makes this climb well worth the trip.

FA: Scott Camps, 1987

24Trad 15m
36 Quite Contrary

A link up. Start at the corner 1m R of WH. Up the closed corner and into Piranha. Up the R crack of Piranha until it blanks out. From here, step R into Insomnia and up. There are better routes to do.

FA: Kim Carrigan, Louise Shepherd., 1982

23Trad 40m
37 *** Piranha

An amazing route that is a must do. Up the tricky start to a ledge. Step L into the bottomless chimney, doing some funky moves up the corner. A desperate bulge at the top of this groove provides loads of excitement, as well as the crux. Flop with much joy onto the ledge. Belay is possible here. A tricky move off the ledge gains a small crack which eases off very quickly. Up the obvious line above to a ledge and chain on a tree.

FA: Ted Cais, Rick White, 1970

20Trad 45m
38 Wango Tango

A variant finish to Piranha. It features quite nice climbing, but the rock quality is questionable in places. Off the ledge, climb Piranha until it steps L, and keep going out L across the wall. Breathe a sigh of relief when you reach the crack, bumble up above with great moves and gear.

FA: Dave Moss, Paul Hoskins., 1982

19Trad 15m
RouteGradeStyleSelected ascents
39 *** Insomnia

One of the first 23s in Australia! Although previously downgraded, this route has lost non of its spice over the years. Up the brilliant V-groove with phenomenally classy bridging and face work, capped by a desperate mantle on to the ledge. From here, grunt up the classic off-width to an easy finish! Originally aided by Staszewski and Killop, they backed off realizing that a better climber might one day free this amazing line. All were stunned and inspired when it was freed by Henry Barber.

FA: Henry Barber, Rick White, 1975

23Trad 40m
40 ** Fluid Journey

Quite good. Up the initial corner to a hard move onto a ledge. From here, thin locking and classic bridging bring the top to hand.

FA: Ajax Green, John Smart, 1977

21Trad 40m
41 ** Fluid / Epic Link Up / Fluid-Epic Connection

Climb Fluid Journey until possible to pull into Epic Journey at about half height. Combines the easiest sections of both routes.

18Trad 30m
42 *** Epic Journey

Brilliant, graceful and absorbing climbing up the twin cracks stating off the small ledge right of FJ. Some of the most elegant face climbing and layaway moves around. Step L into the single crack with joyous jamming and chimney moves above.

FA: Rick McGregor, 1977

23Trad 30m
43 ** Stand in Line

Wow! Start up the desperate corner R of EJ with crappy gear and a rusty piton playing head games with you as you stare it in the eye! If you fall in the first 15m, it is more than likely that you will deck out! Climb this to a stance. Up the desperately thin corner on imaginary holds, using scary and spacious protection to the top. Some good wires about half way up are the only real protection you get on the whole route. Quite a serious lead although it really does feature some excellent movement.

FA: Kim Carrigan, 1981

27 RTrad 28m
RouteGradeStyleSelected ascents
44 * Green Plastic Comb

A very hard route to protect well on lead. Start on the cracked arete, up this for a few moves and then out onto the R face. Quiver up the face on thin holds with RPs and flared token cam placements guaranteeing your concentration! A hard move on the arete moves the route to the L face and an excellent #3 RP. From there, flail up the face to where the obvious diagonal crack line leads R to a ledge. This crack is actually quite easy but feels relatively hard due to the fact that most climbers are pumped completely senseless by then! Follow this to a ledge, then easily up. Rap as for SIL.

FA: Tobin Sorenson, John Allen., 1979

25Trad 20m
45 * Sadhana

If you arms are still capable of basic function, this should help to finish them off! The direct finish to GPC features classic climbing up a delicate arete. From where the crack goes R, head straight up the arete past a lone bolt. Run it out to the top.

FA: Scott Camps, Kishi Takamori, 1988

26Mixed 10m, 1
46 * Handy Andy

Most people tend to onsight this route, due to the fact that a fall could be very nasty! Bridge up the completely blank corner, pretending that there are actually holds. Very desperate climbing past the two pitons. Not a climb for the faint hearted.

FA: Kim Carrigan, 1982

27 RMixed 20m, 2
47 Flange Desire

Death lead. Climb the blank corner to the R of HA, with what could best be described as "mind protection" for gear. Two manky pitons and RPs that look pretty are all you get.

FA: Kevin Lindorff., 1983

27 RTrad 25m
48 *** Brown Corduroy Trousers

This imposing line is on the wish list for many budding Frog-climbing gods! The stunning shallow corner swallows up RPs and micro cams. The upper section has two extremely thin and technical cruxes. Rap off the bolts.

FA: Kim Carrigan., 1982

28Trad 25m
49 ** Barbed-wire Canoe

Absolutely brilliant climbing, although possibly one of the most sustained routes here. Brilliant bridging up the open-book corner to the flake at the top.

FA: Tobin Sorenson, John Allen, 1979

25Trad 27m
RouteGradeStyleSelected ascents
50 * Chook Fear

Bridging, layaways and levitation are all required to get up this imposing, blank corner. At the top, step R to the tree. An Olympic rhythmic gymnast may be able to bridge across to WO; as for normal people, attempting this could destroy more than just your pants!

FA: Charlie Creese, 1981

26Trad 20m
51 ** Wild One

A very strenuous outing and an excellent exponent of flared hand jamming. The start of this route is quite challenging. Step R into the climb after going up CF for a few moves. Brilliant sustained climbing sees you to the top. Stepping on your rope and gear back be a bit of a hassle. Although Rob Staszewski and Rick McGregor attempted the route in various styles, it was up to Kim Carrigan to free the route as described.

FA: Kim Carrigan, 1978

24Trad 20m
52 * Wild One Direct Start

Direct start to WO is very bouldery and goes up the diabolical tendon pulverising micro seam for a few meters before joining WO.

26Trad 5m
53 *** Cock Corner

This pump fest provides some of the best and most sustained crack climbing on the cliff. Blast up the unrelenting crack in the steep corner. Layaway a cruxy move at 2/3rd height, and then easily to the top.

FA: Henry Barber, 1975

21Trad 30m
54 ** I'm a Mop

Very nice! From the ledge at 2/3 height on CC, step R onto the arete. Super stylish moves and exposure past a bolt , and then into a small cracked corner at the top.

FA: Stuart Camps, Scott Camps., 1984

21Mixed 8m, 1
55 ** Stonkers and Steroids

The direct start to IAM. Stick clip the first bolt, and step out to the arete from thee start of 'Cock Corner'. Very thin and technical climbing up the arete past 4 bolts, finish up 'I'm a Mop'.

FA: John Pearson, 1988

25Mixed 30m, 4
56 *** Cock Crack / Artificial Aura

Marked y the initials "AA" for Artificial Aura, which was the climb's actual name (so named because it looked so ridiculously hard, but actually went quite easily). The route, however, had been named Cock Crack, and through the ages, no doubt due to Alzheimer's, alcohol and drug abuse, the names were swapped and Cock Crack was re-born! Climb the widening hand crack to a stance. Up the wide section by chimney moves or very classy and thin bridging to where the crack closes again. Motor up the brilliant crack and arete on super holds to finish. Big gear essential. Finish at the chains for Infinity.

FA: Ted Cais, Rick White., 1974

20Trad 38m
57 ** Satans Smokestack

The horrific thrutch up the desperate start of this route is no fun at all. From there, wander into the bottom of this 4-sided chimney, with the stars being given only for the unique style of climbing you are about to have thrust upon you! If you are into this sick perverted style of climbing, give it two more stars! Chimney or bridge up this to a ledge at the top. Continue up the R in another chimney, or alternatively on the face. Belay at the chains of Infinity. Big gear is not essential to adequately protect this route.

FA: Rick White, Chris Meadows., 1968

16Trad 40m
58 *** Infinity

A contender for the best 19 in the country! The old school off-width is the only way to go for apprentice gruntologists. All the sane people start in the corner to the R. Up this past a tricky move out of a cave at 1/3 height to a stance (crux). From here, up the beautifully sculpted line to the top. Simply magnificent climbing.

FA: Ross Allen, Rick White., 1970

19Trad 40m
59 Infinity Variant Finish

From the start of the diagonal on Infinity, step L up the face past 1 bolt. A scary and atmospheric little route.

FA: Kim Carrigan, Rick White, 1982

22Mixed 10m, 1
60 Equality

Hard and committing. Start up the same line as for Infinity. Continue up to a ledge past a grunty fist crack. Suck in the big ones, attach your kamikaze head band, and thrash (screaming for glory) up the blank bulge with greasy little holds making life really interesting. There is no mention of gear here, because there is not much to be found. Whimper with joy and relief when the crack finally opens up for better gear and easier moves to the top.

FA: Rob Staszewski, Dave Moss, 1979

22Trad 40m
61 *** Lonely Teardrops

Stunning quality, an absolute classic. Start on the ledge above and R of the start to Infinity. Steep jamming and locking leads to a pronounced crux rounding the bulge. Great gear, a little spaced at the crux, but completely bombproof. Finish easily up to the Infinity chains.

FA: Rob Staszewski, Dave Moss, 1979

22Trad 22m
62 * Quietly Superior

Originally named Crystal Blue Persuasion, Rob S. claims that the climb was stolen from under his nose... Buy him a beer for the full tragic tale! Regardless of that, the climbing is excellent, with the gear being very good, but a little fiddly to place in spots. Aliens and RPs help a lot. Brilliant bridging and chimney moves up the orange corner to the R of LTD.

FA: Marty Beare, 1980

24Trad 20m
63 Rudys Got New Shoes 23Trad
64 Jigsaw

An absolutely brutal start up the narrow V-groove splitting the pillar to the L of WC. From here easily up to the level of WC ledge. Follow up a short hard corner, with the last moves at the top keeping things interesting.

FA: Rick White, Ian Cameron, 1971

19Trad 35m
65 ?

Start up W.C. until it is possible to step left into the chimney. Up this onto the pillar and straight up the hand crack to a trad placed belay below the 2nd pitch of W.C.

15Trad 14m
66 Witches Cauldron Pitch 1

start marked 'WC'. A hundred ways to get up this twin cracked, 3 sided chimney! Great beginner lead, with lots of bomber gear placements and good stances. A better access pitch to 'Plume Ledge' than SAW.

FA: Rick White, Chris Meadows, 1969

12Trad 12m
67 Witches Cauldron Pitch 2

The way the route originally finished. Start on the L of Plume Ledge. A brutal grunt up the horribly tight body chimney directly above pitch 1. There is not a lot of gear but it doesn't matter as you are so stuck in this thing that it would be very hard to come out anyway! A must do for all aspiring guardians of Frog ethics!

FA: Rick White, Chris Meadows, 1969

12Trad 18m
68 Quick

Don't fall on this extremely under protected route... gravity will definitely win! Up Harlot for a move or two, then up the arete. Really classy moves, and quite enjoyable climbing. It's a pity the piton used on the first ascent didn't stay in! Some pro can be found in the crack around on the L face, but it won't help much if you fall near the top.

FA: Rob Staszewski, Derek Sheldon, 1976

20 RTrad 13m
69 Harlot

A goo and technical boulder problem to a stance at 3m. It's best to jump off here but if you must, strap on some knee pads and thrash for glory up the wide crack above.

FA: Rick White, Ron Collett, 1969

18Trad 12m
70 Witches Covert

A good start up the 2 cracks R of Harlot up to a ledge. Negotiate the overhanging hand crack to the top chimney. The top is ugly, loose and unavoidable, but thankfully it is also very short.

FA: Rick White, 1970

18Trad 12m
71 * Humility

A classic one-move wonder, the face R of WC. Start off the ledge on the R, small wires providing excellent pro. Wobble up on thin and balancy moves until a jug on the L arete comes to hand. Easily up the line past a piton (hidden from view) to a tricky little mantle move at the ledge. Easily up to Plume ledge.

FA: Ross Allen, 1970

19Trad 15m
72 * Humility (Left Variant) / Humility LHV 17Trad 10m
73 Psychedelic Apricot

A hard lead for a beginner, above a big ledge. Lay back the corner to the ledge. Easily to the top. A number 5 cam is essential to keep this lead safe.

FA: Bob Gowan., 1969

14Trad 15m
74 Rest Area Ahead

A one move special, and a soft touch at the grade. Start at the obvious crack in the corner R of Humility. Up this with excellent protection to a ledge. Bumble easily to the top as for PA.

FA: Simon Uren, 1981

15Trad 10m
75 Saturday Afternoon Walk

The easiest climb on the cliff. Wander up the line of least resistance to the right of RAA. Good gear makes this a great climb for beginners to start leading. It's also a good way to get to Plume Ledge quickly.

FA: Ron Collett (free solo)., 1969

6Trad 15m
76 * Chocolate Watch Band

Great climbing up the pillar bisected by an ever widening crack. The crux is near the top, coming out of a cave into a fist jam section. Easily up and L to Plume Ledge.

FA: Rick White, Rod Bolton., 1969

17Trad 17m
77 ** Nosy Business

Up the blunt arete to the R of CW. Delicate and strenuous moves past 2 bolts. Veer L here with much difficulty and moaning to put a runner in CW to keep things sane. Continue up past 2 more bolts to the top.

FA: Mark Moorhead, Rod Young, 1983

23Trad 20m
RouteGradeStyleSelected ascents
78 *** Gladiator

An absolute classic at the grade, and a test piece jamming problem. Up the pumpy and strenuous hand crack, milking the numerous rests and stances as they come to hand. Some of the best hex placements at Frog are found here.

FA: Chris Peisker, 1975

18Trad 17m
79 Christian

A gruntologist's dream. Clang your hexes for joy and release a tribal yelp before plunging head first into this disgusting knee and elbow destroying body chimney. You should really shoot yourself if you are seriously considering leading this route!

FA: Ross Allen, Ian Cameron, Rick White, 1975

16Trad 17m

Plume Ledge

7 Routes start from Plume Ledge. The first two routes "Bitching and Back-Stabbing" & "Midnight Lightning", start to the left of "Witches Cauldron pitch 2". All the others start to the right.

The easiest way to access the ledge is by climbing either 'Witches Cauldron' or 'Saturday Afternoon Walk'.

80 * Bitching and Back Stabbing

Start on the far L side of the little ledge of ML. Move up the front of the detached pillar passing 2 bolts on the way. Not too bad.

FA: Paul Hoskins, Chris Frost, Darren Holloway, 1988

24Mixed 12m, 2
81 * Midnight Lightning

The dark corner capped by a small triangular rooflet really deserves to be more popular. Difficult and bold climbing on good pro' leads to a tough move around the roof. A tough finger crack finishes off this classy route.

FA: Joe Lynch, Rob Staszewski, 1981

23Trad 15m
82 ** Inhibition

Hard and grunty climbing on one of the sexiest looking aretes to be found. Start off the little ledge above WC then slap, crimp and wobble your way up past one carrot bolt and 2 FHs to the top. Avoid the temptation to grovel off L and you will be rewarded with some beautiful exit moves!

FA: John Pearson (early's), 1990

26Mixed 15m, 3
83 * Instant Karma

Bold and risky face climbing. Start 1.5m L of ME. Up a short crack to the rest at a rooflet. Flail up the desperate face through the bulge with not a whole lot of protection! The upper wall is a little easier and quite classy, although you might be such a jibbering mess that you don't remember.

FA: Scott Camps, 1984

24Trad 25m
84 Midnight Express

Innocently evil! This fine-looking hand crack very quickly turns into a fiendish off-width.

FA: Ted Cais, Ian Thomas, 1973

19Trad 23m
85 Psychedelic Apricot Pitch Two

Although the climbing is actually quite good, the rock on this orange corner at half height is loose, hollow and quite dangerous on the lead.

FA: Rick White, Ian Cameron (some aid)

19Trad 25m
86 *** Plume

From the right side of 'Plume Ledge' (facing the cliff) Climb the obvious hand crack infront of a forked tree (belay). Great jamming up to a diagonal traverse right to a jug, then up the thinning crack trending slightly left on face holds to top mantle.

FA: Fred From, 1976

19Trad 25m

Faki Ledge

The next four climbs are on Faki Ledge. To reach this ledge, go up the 5m climb in the corner R of Plume called "That's not a Twelve".

87 ** Termination

Brilliant face climbing up the thin face on the far L of the ledge. Despite appearances, protection is excellent throughout the whole climb, and it is a must do at the grade.

FA: Fred From, 1976

20Trad 18m
88 * Integrated Injection Logic

The twin crack system capped by a small roof to the L of Faki. A bumble up the start of this route will hopefully not dull the senses. Some tricky moves above adequate but slightly spaced protection see a good rest come to hand below the roof. Hand traverse L under the roof and around onto the face (crux). Strenuous and sustained moves to the top are sure to bring a smile to your face.

FA: Fred From, 1976

16Trad 15m
89 * Faki

The best 14 here! The brilliant L facing corner is an excellent introduction to sustained bridging and jamming. From the ledge, up the line of least resistance R to the top. Belay using trees and whatever natural gear comes to hand. From the belay, walk about 10m R (facing from the cliff), and you will find the rap chain above Plume.

FA: Fred From (solo), 1976

14Trad 13m
90 Safe as Milk

Bold and strenuous climbing with not much in the way of good protection! Start at the crack just R of Faki on brilliant thin hand jamming. Fron here, pack your spare undies, move up the arete for a move or two, and then R and up through the bulge! Although there is adequate pro (just), it is still a very serious proposition.

FA: Marty Beare, Stuart Camps, 1983

22 RTrad 15m
91 *** Old Guard

Brilliant climbing up the dark corner to the R of Christian. Up easily for 7m to a stance. Release a blood-curdling howl and tear up the hard lay back line to the top line a frenzied madman! Technical jamming and layback sequences provide thoroughly absorbing and sustained movement all the way. Milk the rest at half height, as that's all you get. From the ledge at the top, one hard move onto the wall and you can step L onto Plume Ledge. Finish here, or get extra "old school points" by thrashing up the final wide groove above.

FA: Kim Carrigan, Marty Beare, 1978

22Trad 40m
92 Keed Spills

A better variant finish for OG. At the start of the last groove on OG, step R and climbing the thin crack up the face. Be careful as the first few moves are completely unprotected and you could be reduced to a whimpering mess with the technical and exposed moves above.

FA: Fred From, Mark Morwood, 1981

20Trad 15m
93 Perversion

Up the wall to the R of OG. Not done very often. Up the initial corner, which is quite technical and interesting. Rest at the ledge and then blast up the thin seam past 2 ancient pitons. Not the best route around.

FA: Marty Beare, 1983

23Trad 40m
94 Nymphets Crack

Crappy. Start at the body crack about 8m R of OG. Difficult moves up an even more difficult crack leads to a rest at a tree. Kepp plugging away, saving energy for the final onslaught in the last moves!

FA: Joe Lynch, 1981

19Trad 32m
95 ** Satyricon

This long-neglected corner offers brilliant bridging and jamming up a long sustained line! Bridge up the initial corners to the cave at 2/3rd height. A hard move around this to the top, and many celebration beers at the "Doogs". Rap chains on the pillar.

FA: Kevin Pearl, Fred From, 1978

20Trad 30m
96 O Lucky Man

Put a high runner the start of Satyricon, then step R onto the arete and up. Pass 2 very lonely and dodgy looking pitons, then climb the wall above.

FA: Gordon Bieske, Alan (Sunshine) Wilkie, 1983

21Trad 12m
97 ** Unknown Bolt Fest

No one knows much about this route... although it may have a name that involves kinky acts by a pool. The arete left of CC is excellent, although quite dangerous if lead straight off the ledge. My assumption is that the original ascent went up Satyricon and stepped R at the jug and bolt! This makes for a brilliant climb. Continue up the arete past 3 more bolts and a small cam or nut placement.

FA: Paul Hoskins, Evan Bieske ('s), 1990

23Mixed 25m, 3
98 Chunder Crack

This route is very well named, and a contender for the greatest sandbag ever at the original grade of 15! If you must subject yourself to this torment, go up the top of the pillar R of OLM. Climb up the horrible off-width, which is also very strenuous and fiddly to protect.

FA: Rick White, Chris Meadows, 1968

15Trad 30m
99 Bag the Nazi

The bolted arete starts up CC for about 5m, and then steps out. It is really good, however the bottom section features from brittle rock. Up past the fixed hangers, trending slightly R, to eventually finish at the chains of SA.

FA: Paul Hoskins, Evan Bieske ('s), 1990

23Trad 25m
100 * Juggernaut

Even whispering the name of this route has struck panic and fear into the heart of many aspiring leader. Up the ever widening off-width to the L of SA. Specially cut lengths of pipe were originally used to protect this visionary route. Big Bros and large cams (and plenty of them) should keep the Grim Reaper at bay nowadays! Jeans and a footy jersey would be a handy addition to the rack of any would be ascentionist.

FA: Ted Cais, Rick White, 1974

21Trad 30m

Warlock Ledge

The next eight routes start from this Ledge. The best of those is 'Sorcerer's Apprentice' and 'Yankee Go Home'.

Access this ledge by scrambling up left from the start of Thor.

101 *** Sorcerers Apprentice

Classic crack climbing, an excellent example of jamming at Frog. Start at the obvious crack on the far L of Warlock Ledge. A tricky start to get established in the crack (watch out for the loose rock), and then magnificent jamming up the line. Finish at the ledge and rap chains above.

FA: Henry Barber., 1975

19Trad 30m
102 *** Dream of Purple Peach Popsicles

A very popular route, and deservedly so. Up the classic line on superb finger locks and jams to an easy but grotty chimney finish.

FA: Henry Barber, John Fantini, 1975

20Trad 27m
103 ** Satsang

Variant finish to 'Dream of Purple Peach Popsicles' and by far the better way to go. Avoid the final chimney by stepping onto the R face and up past a bolt. Great exposure and brilliant crimpers make this the preferred way to go!

FA: Scott Camps, 1985

22Mixed 5m, 1
104 *** Yankee Go Home

Simply amazing finger locking up the line that bisects the blank wall L of Warlock. There are 2 very distinct cruxes on this thoroughly enjoyable and sustained outing. Easier moves up the final chimney to fnish at the rap chain. A 60m rope will get you back down in style.

FA: Henry Barber., 1975

22Trad 26m
105 ** Warlock

The direct start up the off-balance and diabolically smooth start goes at 21. To avoid this abuse of your body, you can go up YGH for a move or two, and then step across to the ledge. Up the twin crack system, with the final moves around the huge overhung chock stone being an absolute show stopper! The FFA details are shrouded in mystery, however Rick White, Chris Meadows and Mike Meadows climbed the line with some points of aid in 1969.

FFA: unknown.

FA: Mike Meadows with some aid in, 1969

18Trad 26m
106 ** Warlock DS

Direct start to Warlock.

21Trad 26m
107 ** Day of the Jackal

You will need to eat your spinach for this one! Two ropes are the key to success on this exposed and wandering route. Layaway the arete R of Warlock and up delicately to a stance. Up to the thin orange corner capped by a roof. Step R just before the roof, up, and gain a wobbling stance on the left wall. Control your leg's desire to impersonate Elvis, and climb L up the exposed and steep face towards the hanging flake. Flop onto the ledge and hoot for joy!

FA: Jeff Lamb, Marty Beare, Joe Lynch, Dave Moss, 1980

23Trad 28m
108 Day of the Porcupine

A short little variation of DOTJ. Instead of climbing the short organge corner, climb the R underside of the ear shape that makes the R wall of the corner. Not much better, and pretty contrived.

FA: Even Bieske, Paul Hoskins, Dave Moss., 1983

20Trad 5m
RouteGradeStyleSelected ascents
109 *** Thor

Very nice! Step in from the left, and boulder R to the jug. From here, climb the beautiful line and finger crack to a stance below a corner. This corner provides beatiful positions and stances, and finishes up an easier crack to the top.

FA: Henry Barber, 1975

19Trad 30m
110 *** Odin

A complete classic, this climb used to be the test piece for all budding rock gods. Up the initial orange crack system to a stance below the "magic block". A tricky move above this into a narrow groove. The hand and fist crack above keeps you puffing the whole way! Hard for the grade.

FA: Barry Overs, Rick White, 1971

20Trad 30m
111 *** The Guns of Navaronne

Very photogenic climbing up the only line here that has anything close to a roof! Up the initial blank corner with loads of class to a rest at the "magic block". Fire up and hand traverse R into the void! A hand to fist-sized cam at the lip keeps things sane. Spicy moves above to the top.

FA: Tobin Sorenson, John Allen, 1979

23Trad 30m
112 The Guns of Navaronne Direct Variant

Small, short and horrifically desperate. If you're keen for a change of scene, however, and have recently made out your will, this could be the one for you. Go straight through the roof, without going into Odin. Levitation abilities may be handy.

24Trad 4m
113 The Guns of Navaronne Variant Finish

A bit silly and contrived, I think the original is better. Once above the roof, step back and L and up the arete past a bolt and a piton, finishing up Odin.

21Trad 8m
114 ** Decade

This route was climbed on the 10th anniversary of the discovery of Frog. The gear is excellent but spacious; however, stopping to place it makes things a lot more exciting! Up the obvious line R of TGON featuring very technical face and crack climbing moves to the stance. Follow a thin seam as the difficulties gradually ease to the top.

FA: Greg Child, Rick White., 1978

22Trad 30m
115 ** Androcles

The dark, smooth corner to the L of If is a direct start. Up this on very thin gear with no real worthwhile pro. Continue as for If. A serious proposition for those just leading at the grade.

FA: Kevin Pearl., 1979

21 RTrad 10m
RouteGradeStyleSelected ascents
116 * If

Confused climbing but worth a visit. Blast up the initial cracked arete on shaky RP's (or just solo it) to a stance in a cave and a very old piton. Step L into the corner system and up this line with good gear and one more equally crappy piton. The climbing eases off towards the top.

FA: Ross Allen, Rick White, 1978

17Trad 30m
117 Bombs Over British Airways

Up If to the first piton. From here, go up the orange corner to the roof, pulling round this and onto a stance on a huge jug. Place a high runner in If, say goodbye to your family, and move R and up the face on thin and "delicate" holds.

FA: Paul Hoskins., 1983

24 RTrad 30m
118 *** Short Order

An absolute classic test piece, locking and jamming problem. A hard start gains a stance at 2m. From here, climb the unrelenting corner with excellent gear, stances and locks. Keep plugging and moving like a punch-drunk boxer, as the lactic acid build-up ever so surely creeps up on you. There are just enough stances and holds to keep you from being reduced to a whimpering mess. A rap chain can be found in the tree about 6m above the first ledge as you top out.

FA: Henry Barber, John Fantini, 1975

20Trad 30m
119 Clean Wholesome Outdoor Fresh-air Family-entertainment Science-fiction Superman Physics

A R to L girdle, but fun for a change of scenery and direction! Up SO for 5m, then step L to the 1st piton of If. Edge across Decade, and bridge with much trepidation into Odin level with the large jug and flake. Across and up into Thor, as far as the overhang, then traverse onto the Warlock Ledge and off.

FA: Stuart Camps, Scott Camps, 1983

20Trad 50m
120 Shocking Blue

Not pleasant. Up the initial fist crack to a horror blank corner above the fig.

FA: Fred From, 1978

19Trad 25m
121 Saffron Sun

FA: Scott Camps

Trad
122 * Battered Son

Classy arete and face climbing L of Saffron Crack. Really good climbing, unfortunately there is a very hard clip at the bolt! 3 bolts lead the way to the top.

FA: Scott Camps ('s), 1980

23Trad 20m
123 Saffron Crack

The start of this climb features a R-leaning Off-width problem that is both well protected and a great test of your crack-climbing abilities. Step into the corner and chimney of EB. Up with ease and good movement to the top.

FA: Rick White, Ron Collett., 1970

18Trad 40m
RouteGradeStyleSelected ascents
124 Electric Banana

Not a mind-blowing affair but worth a lap! Start up the ordinary groove and face, then finish up the easy chimney.

FA: Rick White, Chris Meadows., 1969

16Trad 40m
125 *** Smoked Banana

Classic Frog climbing. Up the initial twin cracks with some difficulty to a ledge. Step L and up the single crack to a stance under a daunting roof. Sling the chock stone on the R in the wide crack, swallow hard and swing out and up the ladder of chock stones with bowel-quivering exposure! Rest your nerves in the body crack for a moment, travel into the depths of the crack, then squeeze up for a move or two until it is possible to step out onto the arete and face. Easily to the top.

FA: Rick White, Greg Sheard, 1968

17Trad 40m
126 * Understanding

The variant finish to SB is a very classy little outing. Climb up SB to the overhang. Take a large breath, step L up and around the overhang to a bolt. Follow the line to the arete and up a thin crack to the top.

FA: Stuart Camps, Russell Chudleigh., 1985

22Trad 40m
127 Oscillating Pinapple

Total crap. A crappy little line that is usually done as a variant start to SB. Not worth the trip. FA Unknown (probably due to shame)

FA: Unknown, 2000

17Trad 10m
128 Vegetation Row

Not the best. After about 20m of vine-filled loose dirt and crap, you will find about 15m of actual climbing. You could have more fun by staying at the bottom of the cliff and shoving sticks under your fingernails!

FA: Rick White, Ian Cameron, 1972

18 RTrad 37m
129 * Cheshire Cat

Up the ledge left of VITS. Face climbing using the thin crack for protection. Very small gear required to protect the crux. At around 3/4 height climb right into the finish of Voices.

FFA: Ross Ferguson Bill Strachan, 2008

FA: 2008

24Trad 20m
130 *** Voices in the Sky

Fantastic climbing and superb positions can be found the whole way up this thin and daunting line. Despite appearances, brilliant protection in the form of small wires and micro cams can be found the whole way.

FA: Kim Carrigan, Kevin Lindorff (yoyo), 1979

25Trad 32m
131 ** Magical Mystery Tour

Classic crack climbing. Start at the finger crack as it continues to widen the whole way up the route. Don't be fooled by the wide nature of the top, although big gear is essential to protect this route (#4 and #4.5 BD cams won't go astray), you are able to bridge past almost all of the wide thrashing!

FA: Rick White, Ross Allen (yoyo)., 1969

19Trad 38m
132 Squeaky Leather

A good variant to MMT. Start up MMT, and step R at an old piton onto the arete at 10m. Directly up the arete past more bolts to the top.

FA: Tony Barten, Craig Kentwell, Mick Peck., 1988

22Trad 38m
RouteGradeStyleSelected ascents
133 ** The Great Big Bright Green Pleasure Machine

Brilliant! Start up the off-width to a ledge at 4m. Alternatively, you can start up HG and then step L at this ledge. From there up the awesome finger crack with excellent face holds and locks to a thin crux at 2/4 height. From there, up the hand and fist crack to a ledge. Either rap off the small tree, or go up the broken corner at the back and rap off the MMT chains (single 60m rope on stretch).

FA: Henry Barber, 1975

20Trad 25m
134 * Holy Grail

This climb has some really nice moves on it. Unfortunately, it also has a huge loose boot-shaped rock at 1/2 height. The loose rock and poor pro continues above this. Flop onto the same ledge as for TGBBGPM. Although it looks like a classic, there are far better options on either side!

FA: Matt Taylor, 1975

20 RTrad 25m
135 Holy Grail Direct Finish

Instead of flopping onto the ledge with quiet relief, continue up the depressingly blank corner for another 15m to the top. Very small gear and one very old piton pretend to offer adequate protection.

FA: Joe Lynch, Murray Ball, Rob Staszewski., 1983

22 RTrad 15m
136 *** The One That Got Away

Absolutely classic, although your calves will hate you for your effort! So named because Barber somehow managed to miss this fine line on his "tick every classic in sight" tour of 75. Blast up the long corner with superb gear, crack and bridging moves throughout the entire climb. Top out on Conquistador ledge. Rap chains await, however you will need two ropes to get to the bottom.

FA: Nic Taylor., 1976

21Trad 42m
137 * Bitter and Twisted

A nice variant finish to TOTGA, but it simply isn't as good as the others. Climb about half way up TOTGA, then step R (following a seam) to a bolt on the wall. Continue out R and up the arete passing another bolt. Easily to the top.

FA: Darren Holloway, 1988

22Trad 45m
RouteGradeStyleSelected ascents
138 *** Conquistador

If there is one route that simply must be done at Frog... this is it! Possibly the most magnificent outing at the grade ever! Jam with joy up the initial crack section to a stance at half height. From here, a hard move on finger locks in an overhanging section brings the world's mos welcome jugs. Motor up the classy finish with moves that would make anyone look stylish! Rap chains can be found on the ledge.

FA: Henry Barber, 1975

21Trad 45m
139 *** Devils Dihedral

This daunting line is simply magnificent. Up the twin cracks on locks and jams that would leave a poet short for words. From here, continue up to where the cracks merge to form a single, steep, fingers to fists crack. A hard move to the ledge provides a classic sting in the tail.

FA: Henry Barber, 1975

20Trad 45m
140 *** Deliverance

The 3rd of an unsurpassable trio. A desperate start on pin scars, locks, friction and prayer sees you established in this daunting corner. Continue up this monster pump fest with every move just as good as the last. Save some energy for the last few moves... it has sent more than one flailing would-be ascentionist plummeting into space. Some of the best gear at Frog keeps this climb sane.

FA: Henry Barber, 1975

23Trad 45m
141 ** Petulance

Start as for Tantrum. Climb up about 8m and step L onto the arete. Follow the line of bolts to the top featuring gut-wrenching exposure, and quite classy arete climbing. Some parties start up Deliverance instead.

FA: Chris Frost

26Trad 45m
142 ** Tantrum

Overgrown and overshadowed by its company it received little attention for years. A recent cleaning and addition of a piton down low (it was originally led with a pre-placed RP) has made it a more attractive proposition. Bridge up tree to get piton and an RP. Thin bouldery moves lead to very enjoyable and friendly climbing above.

FA: Tobin Sorenson, John Aleen, 1979

25 RTrad 45m
143 Brain Death

Crap. A desperate little corner up the L side of the pillar that Hell's Angel starts off. Barely adequate pro and terrifying moves earned this one the coveted "never ever do again" award.

FA: Joe Lynch, 1981

23Trad 10m
144 Hells Angel

Start off the ledge between Brain Death and Hello Sailor. This is the L of the 3 obvious lines. Start up the long corver with a feisty little move at 4m. Blast for glory all the way to the top, watching for loose rock on the way. Natural anchors and chains at the top, the easiest way to get off is to rap off the chains: 2 ropes are required. The chains are hard to find; look around and they will appear.

FA: Rick White, Ian Cameron, 1971

18Trad 40m
145 * Angel Rider

The only real way to go. Start up HA to where it is possible to branch off R at about 15m. Climb up the fantastic corner to a bowel-quivering finish. Descend as for HA.

FA: Philip Waters, Scott Camps, Steve Mansfield., 1984

18Trad 40m
146 * Easy Rider

Not as good as the previous 2 routes. Although the actual moves are fantastic, there are far too many loose blocks and holds to make this climb enjoyable. Dodgy pro can also be found in abundance; if you're into that stuff, you should love it!

FA: Trevor Gynther, 1979

20 RTrad 40m

Baby Staysharp Pillar

Directly below 'Gone and forgotten' is a small detached pillar. The routes on this pillar are on the back side.

There are two climbs on this pillar worth mentioning, Myopia (barely acceptable) and 'Baby Staysharp'. There are another three solo climbs on the downhill side of the pillar, all done by 'Kevin Pearl', none worth the effort.

147 Myopia

A real waste of 2 bolts. Start up the same arete as BS. Clip the first bolt of BS, then up the poxy little line to another bolt. Step R and get off as soon as you can.

FA: Andrew Barry, 1984

19Sport 5m
148 Baby Staysharp

A fun little climb whose holds definitely live up to their name. Start at the fixed hanger on the arete, then step out L passing another FH on the way up. Top out easily to the 2-bolt anchor. Rap or solo off the back to get down.

FA: Paul Hoskins, Andrew Barry, 1983

23Sport 7m, 2

Past Baby Staysharp Pillar

Back up to the main wall.

149 Macraderma

This climb should never have existed. Directly below HS is a large hole in the ground. If you are totally bored, and have run out of pencils to poke in your eyes, lower into this pit of despair and climb back out. Poor protection completes this climb's classy credentials! This climb quite often gets used for what God clearly first intended... as a toilet. Proceed at your own risk.

FA: Paul Caffyn, Ian Cameron, Rick White, 1969

17Trad 30m
150 Hello Sailor

Used to be graded 18, so it was the scene of many a bruised and battered ego. Start up the initial corner to a gruntologist's fantasy move. Finish with much style to the top. To get off, wander down R (facing the cliff) to the rap chains above Hollywood Rattlesnake.

FA: Rick McGregor, 1976

18Trad 20m
151 Bongo Gongo Wasto Ergo Sum

Hard! Up the desperately blank corner to a piton that looks like it was placed about the time that Capt. James Cook landed. Continue up with very thin protection to a bolt at 1/2 height. Slightly easier climbing to the top... but not much.

FA: Simon Vallings, Andy Barker, RUssel Chudleigh, 1984

25 RTrad 20m
152 ** The Last Ungreat

Serious climbing in an exposed and photogenic position. Start directly above BGWES, climbing the R side of the pillar that Angel Rider finishes on. Up the crack, then some very hard moves past the bolt to the top. Magnificent, but terrifying. Get off as for AR.

FA: Stuart Camps, Scott Camps, 1984

24Trad 15m
153 ** Gone and Forgotten

A very impressive onsight. Up the thin seam that splits the face 2m R of BGWES. Tendon-rupturing moves above RPs see you to a hard move at 4m. Continue up the line with classic moves and even better gear the whole way.

FA: Chris Shepherd, 1982

24Trad 20m
154 ** Suicide City

This climb features the quirky little Frog grading habit that the first 5 moves don't count when finding the grade. The moves off the ground are diabolical, and feel closer to 25. The stars and grade count only if you have a high runner pre-placed to protect this sequence. If not, remove all stars and add a few grades. The climbing after this is brilliant, and deserves to be more popular. However it is tricky, sustained and sometimes strenuous to protect on the lead.

FA: Rick McGregor. Re-established by Rob Staszewski., 1976

22Trad 20m
RouteGradeStyleSelected ascents
155 Genghis Khan

The horrible dark chimney to the R of SC. This climb is a disgusting grunt fest with no real worthwhile protection.

FA: Paul Caffyn, Sid Tanner, 1969

17 RTrad 20m
156 * Go-between

Desperate. Classy and unrelenting movement the whole way protected by shallow and small gear. Deserves to be done more often, but is quite solid and risky at the grade.

FA: Kim Carrigan, Fred From, 1979

23Trad 18m
157 * Hollywood Rattlesnake

A strenuous and rewarding test piece jamming problem. Brilliant gear and tricky finger locks see you to a good stance at 2/3 height. Finish easily. Rap off tree.

FA: Nic Taylor, Rick White, 1976

19Trad 18m
158 ** Out on a Limb

An excellent and absorbing climb. This climb relies more on balance and technique than power, and is essentially one big balance problem. The gear is good, despite appearances. A good lead head is essential.

FA: Kim Carrigan, Rick White., 1977

22Trad 18m
159 * Run With the Pack

this climb is desperate to protect in the first half, although barely adequate protection can be found. Levitate and bridge up the initial strenuous corner to a stance at 1/2 height. You can escape this craziness by going up BC for 5m and then stepping L. If you do this, the grade drops to 21. From this stance, blast up one of the most magnificent finger seams that Frog has to offer! A rap chain at the tree above sees you off.

FA: Rick White, Ian Thomas, 1976

21Trad 20m
160 * Bad Company

A classy little climb up the corner past a large tree at 2m. Fantastic protection and loads of climbing variety make this an absolute winner.

FA: Nic Taylor, John Hattink, 1977

15Trad 20m

Hollywood Rattlesnake Ledge

The next two routes are on the ledge above 'Hollywood Rattlesnake'.

161 Atomic Frog

Dangerous and crappy. The small face directly above the finish of HR. Wobble up the crappy wall on broken holds and dodgy pro. It looks good, but isn't.

FA: Scott Camps, Paul Grey, 1983

20 RTrad 20m
162 Sweet Transvestite

Yet more crap. The disgusting groove directly above OOAL. Why would you do this to yourself?

FA: Kevin Pearl, Ken McLean., 1978

19 RTrad 18m
163 * Jumbo Services Mrs Mills and the Electric Yellow Bums

A fun little top rope problem. Start off the top of the detached pillar that marks the half way point of micron. Straight up on the poorly protected (ie bounce off the ledge) wall, on this holds. Finish as for Micro. Rap chains can be found at this tree.

FA: Mike Woodrow, Darren Holloway, Mark Holloway., 1985

17Trad 20m
164 ** Micron

The best 16 at the crag. Start up the chimney with technical bridging to a rest on the top of the semi-detached pillar. Step onto the R face and follow the line up to the top. Awesome climbing, bombproof gear and brilliant moves! A rap chain can be found at the tree.

FA: Unknown, 2000

17Trad 20m
165 ** Elastic RURP

One of the most popular middle grade routes on the cliff, and deservedly so. The splitter crack up the face to the R of Micron. This route offers amazing gear, fantastic movement and some hair-raising moments thrown in for free! Rap as for Micron.

FA: Rick White, Barry Overs, 1971

18Trad 20m
166 * Separator

Very good climbing, but a little tricy to protect at the crux. Up ER for 3m to the cave. Step R and follow the diagonal to the arete. Up this on fantastic rock to finish up the wide crack as for Catharsis Variant Finish.

FA: Rob Staszewski, Joe Lynch, 1981

23Trad 20m
167 * Separator Direct Start

This improbable arete is apparently still waiting to be lead ground up (pure style). Levitate up the arete using friction, glue, and anything else you can get your hands on to complete the extremely technical moves that are required to finish this route. You can get some form of protection by placing a high runner in Catharsis. Join the original line where the diagonal meets the arete.

FA: Kim Carrigan, Dave Fearnley, 1982

25 RTrad 10m
168 ** Catharsis

The nice handcrack leading to a ledge and offwidth to the right of Elastic Rurp. Big gear essential if you don't want to run it out above the ledge and manky old pin. The 'elegant solution' to the offwidth mentioned in Andy Martin's description probably involves some kind of prancing about on edges like a sport climber. This sort of thing can be avoided with good old fashioned thrutching and struggling.

FA: Ted Cais, Ian Thomas, 1973

20Trad 20m
169 Catharsis Variant Finish

Crap. Blast up one off-width, and then, just as it gets good, traverse L at a grotty horizontal to yet another off-width! No real quality movement can be found on this route.

FA: Fred From, Kevin Pearl, 1978

19Trad 7m
170 Pixel Princess / Pixelated Princess

Not too bad. A fiery start up the dark corner L of FAFF quickly succumbs to an easy finish. Rap chains at the top.

FA: Pete Schmidt, Jannette Hull, 2003

15Trad 15m
171 ** Footloose and Falling Free

Good face climbing up the broken orange wall. Excellent protection and moves abound, although it would be a lot better if it were longer. Scramble off the ledge to the R.

FA: Kevin Pearl, 1979

20Trad 11m
172 Half-dazed and Patched Pants

Directly above FAFF is another headwall. Start up the R side of this to the first bolt. Step gingerly around the arete to the 2nd bolt. Easily to the top. Well worth the outing. Rap from the tree. Rob Staszewski has lead this route without the bolts... but most people are just not that hard, and choose to clip them!

FA: Richard Henderson, Scott Camps., 1986

21Trad 18m
173 Bay Play

The small line just R of FAFF. Climb the line on excellent gear the whole way. Don't hang around or your arms will be reduced to a mass of pain and lactic acid.

FA: Unknown (solo), 2000

18Trad 10m
RouteGradeStyleSelected ascents
174 Fast Eddie

This climb is loads of fun! Up to a hard move getting around the small rooflet. From here, climb on fantastic jams to a ledge. Finish here on natural anchors. Alternatively, you can climb the very easy corner at the back of this ledge for a further 5m, and you will come across the rap chains attached to the large tree directly above.

FA: Rick White, Dave Moss, 1980

18Trad 15m
175 Straight Man's Fear

This climb is the 4th great climb of its grade in the area, and probably the best. Up RF for a move or two (you will soon forget this misery), and then step L into the thin crack on the L face. From here, rock poetry follows for the rest of the route. Finish as for FE.

FA: Dave Moss, Rick White, 1980

18Trad 13m
176 Rhyolite Fruit

A completely disgusting pile of crap that is a blemish on the face of Frog. The large chimney formed by the huge detached pillar being pushed out by the massive chock stone above. Even break-stroking, flannel-wearing, thrutch masters think twice before choosing to climb this disgusting chimney.

FA: Barry Overs, Steve Bell, 1969

11 RTrad 13m
177 That's Rat!

More rubbish. Start at the crack about 1m R of RF. Trying not to stray onto a more sensible line. At 1/2 height, step R onto the face, forget the run out and climb up on good holds. A jug, gear and sanity can all be found at the stance near the top.

FA: Stuart Camps, Paul Grey, 1983

23 RTrad 15m

Straight Man's Fear Ledge

Next two routes are located on the ledge above 'Straight Man's Fear'.

178 Face Facts

Directly above SMF is a small orange wall capped by a tiny roof. Go directly up this on friable flakes and dodgy gear. Gear can be placed in the seam on the L to keep life sane. One cool move at the roof is all that recommends this little climb.

FA: Scott Camps, Paul Grey, 1983

22Trad 7m
179 Wasp Nest / Wasp

Short crack above 'Rhyolite Fruit'.

FA: Ross Allen, 1970

16 to 17Trad 6m
180 Just Made It into the Guide

It should have stayed out. Climb the obvious crappy little groove. It's not long enough to even properly chastise yourself for getting on this pile of crap.

FA: Dave Moss, Paul Hoskins, 1983

17Trad 5m
181 Image of the Nat

This short arete starts opposite a large tree about 8m before the track turns L. Quite fun, but not a lot of gear.

FA: Scott Camps, Garry Glover., 1983

17 RTrad 8m
182 Color Me Dead

Starts about 6m R of IOTN, just before the track veers L. Up a crappy, grunty short crack to the arete. Up this past 1 bolt. Not very good.

FA: Richard Henderson, Scott Camps., 1986

19Mixed 9m, 1
183 Popping Pillars

The furthest R arete on this pillar is a desperate solo problem. Up through a tiny roof, and then a little easier to the top.

FA: Robbie Allen (TR then free solo), 1983

21 RTrad 7m

Mr. Bojangles area

Ten (10) routes are scattered along the sloping hill side between 'Rhyolite Fruit' and the 'Oppenheimer's Monster Pillar'.

You can get to this area by scrambling up the ramp to the right of 'Rhyolite Fruit', and then along an indistinct path. The first four (4) routes are located about 30m to the right. Even further to the right about 50m or so you will locate Mr Bojangles Pillar.

184 * Little Running Bear

Good fun, although it's so short that it's over before you can really get into it. Go up the nice face crack on great locks and jams.

FA: Paul Hoskins., 1981

22Trad 7m
185 I Wish I Was in Dixie

Contrived and not as good as LRB. Up the R line on the same wall. The gear isn't the best either!

FA: John Middendorf, 1981

20Trad 7m
186 Oscar

This short, widening little crack can be found above the previous two routes. It is a waste of time and oxygen.

FA: Rick White, Lois Basham, Dave Moss, 1981

18Trad 8m
187 Frog Fart

A small little grotty corner. There are far better routes to do here, but it won't kill you,

FA: Stuart Camps, Scott Camps., 1983

16Trad 9m
188 * Frog Art

Not bad! Climb the nice little face and finger crack to the R of Frog Fart.

FA: Scott Camps, Stuart Camps, 1983

15Trad 10m
189 Gully Bumble

The epitome of desperate new route seekers at work. Higher up in the gully in between FA and the 'Mr. Bojangles' pillar is a very short little orange pillar. Climb up the front of this past 1 bolt. This is not, by any stretch of the imagination, a great route.

FA: Stuart Camps, Scott Camps., 1983

20Mixed 8m, 1
190 * Mr. Bojangles

Well worth the trip. Start at the obvious cracked buttress that forks at about 6m. This classic jug and jam fest can go either way from there, the R variant probably slightly more popular. Both lines are equally challenging.

FA: Ted Cais and Ian Cameron

15Trad 15m
191 Mr Bojangles VF

Climb Mr Bojangles, at half height step left and finish up the hand crack.

14Trad 7m
192 Bits and Pieces

What a contrived waste of time. Go up the moss-laden slab to the R of MB on to a ledge. From there, go easily up a fun little pocketed wall to the finish. No worthwhile protection can be found in the bottom 2/3 of this route.

FA: Stuart Camps, 1983

19 RTrad 15m
193 Uriah Heep

The disgusting little crack on the R side of the same buttress. This climb is really grotty, and not much fun.

FA: Steve Bell, 1972

15Trad 12m
194 Mango

Further R you can find this short little orange corner hiding in the scree...the time you spend looking for it could be better spent, although the climbing isn't actually that bad.

FA: Stuart Camps, Scott Camps, 1983

16Trad 8m

Ockerphillia Pillar

Next is a distinct pillar feature known as the 'Ockerphillia Pillar' which has a detached rock pillar on the downhill side with a large cave like cut away section. There is a thin tree growing in between the main pillar and detached pillars.

195 Short and Sweet

Very cruisy climbing, ideal for gear practice and beginners. Not, however, the most classy route to be found. Stop and belay at the large tree. Scramble easily off L, or rap.

FA: Ross Allen, Ben Whitehouse, 1969

9Trad 10m
196 Excreta

The chimney to the R of SAS. Completely disgusting, but good if you're into that kind of sick perverted thing.

FA: Rick White, Chris Meadows (solo), 1968

7 RTrad 15m
197 ** Ockerphillia

Extremely graceful and elegant climbing straight up the front of the pillar. There is no worthwhile protection to be found, and a fall would almost certainly be fatal. A truly daring and impressive effort.

FA: John Howard, Dave Fearnley, 1982

23 XTrad 23m
198 * Chemical Adrenalin

Start at Ockerphillia and immediately head R in a rising traverse past some bolts and mixed "mind pro". Very classy, and quite sustained.

FA: Andrew Smith, 2000

23Trad 24m
199 Ex

Climb up the opposite side of the chimney and tree.

FA: Rick White (solo), 1968

8 RTrad 18m

Past Ockerphillia Pillar

The next routes are located as you continue the cliff face around to the right past 'Ockerphillia Pillar'. This is the magnificent, orange and white pillar that you see as you walk around past 'Okerphilla Pillar'. There is some classic crack climbing to be offered in this area of the Frog Buttress.

200 Eating Gorillas

On the L side of the main cliff line is a striking orange and white pillar. This route goes up the far L side of it. Go up the body crack while practising your acceptance speech for the "Thrutch Masters" hall of fame.

FA: Stuart Camps (free solo), 1983

16Trad 22m
201 ** Oppenheimers Monster

Very, very classy climbing. Start up the pillar in between EG and Jockette. Go past 2 bolts, then veer slightly L to the top of the pillar. Excellent wires keep things sane. Rap chains can be found at the tree.

FA: Stuart Camps, (Scott Camps added the direct start), 1983

21Mixed 25m, 2
202 Jockette

A long and gruesome affair up the body crack on the R side of the pillar. Why people subject their bodies to this kind of torment, I don't know!

FA: Rick White, Ross Allen., 1970

15Trad 22m
203 Rack Attack

Really good, but one hell of a mission to find. The best way to get there is to rap in, although it can be quite hard to find. Short of that, blast up the vertical jungle in between Jockette and GATG for about 20m. Be sure to take your chainsaw and Agent Orange. From here, climb the beautiful crack that splits the orange face. Pass the tiny roof and follow the crack L to the top. A great little climb.

FA: Stuart Camps, Gordon Bieske., 1983

16Trad 12m
204 Green Noises

Not as good as RA, but definitely worth a go if you went to the hassle of getting up there. Start next to RA. On the R you will see a steep groove and arete. Blast up this on average protection to the top. A very airy finish awaits.

FA: Stuart Camps, Scott Camps, 1983

21Trad 18m
205 * Garbage and the Goddess

Very good climbing up the wall L of DW. Unfortunately this is also the home of numerous wasp nest, so check up high before you start. Wander up about 6m L of DW to an obvious crack. From here, clip the bolt, step out R on quite small holds and motor up the face. A small rest can be found at the piton. RPs will come in handy. It is possible to escape into DW near the top if you find wasps, or if things just get too insane!

FA: Stuart Camps, Gordon Bieske, 1983

23Mixed 28m, 1
206 Garbage and the Goddess Variant

Much easier than the original. From the first bolt, don't step R, but continue up the L arete until it is possible to join the original at the piton.

FA: Nyrie Dodd, Michael Collie, 1983

21Trad 28m
RouteGradeStyleSelected ascents
207 ** Devil's Wart

Simply brilliant middle grade climbing. Easily the best 15 at the cliff. Start at the obvious corner behind the large tree. Up this on brilliant holds and jams to a rest at the cave. Gulp hard, plug in yet more bombproof gear and blast out of the cave to some very airy positions. Wobble and bridge up the final corner to an easy top out. Chains can be found at the tree. There is some hollow rock on this climb, but you need to use any of it.

FA: Ross Allen, Ian Cameron, 1970

15Trad 27m
208 Cold Turkey

Absolutely brutal and unrelenting off-width climbing at its worst. Feels closer to 23. The chockstones mentioned in the Joe Lynch guide must have fallen out! Take big gear, elbow pads, grim determinations and a vomit bag. You can get off this disgusting pile of crap as for BB.

FA: Ross Allen, Rob Staszewski, 1970

17Trad 27m
209 Momentary Lapse Of Reason

The person who bolted this climb was clearly suffering from this syndrome when considering this pile of mank as a route. Contrived and finger shredding. Not a great route at all, but someone saw a blank wall and had to bolt the crap out of it. 3 bolts to the manky ledge....2 good moves! Rap as for BB.

FA: Darrin Carter

23Mixed 12m, 3
210 Bad Blues

Very nice. Up the inital crack systems to a ledge at 15m. Place a high runner in the back of the cave, then bridge airily out to the top. Natural anchors. The rap anchors for IM are over the pillar to your R, and very easy to get to.

FA: Steve Bell, Barry Overs, Rick White, 1970

15Trad 22m
211 Illusion

This climb offers a superb start featuring beautiful bridging and jamming, then disgusting, hex-clanging thrutch of a finish.

FA: Rick White, Ted Cais, 1970

15Trad 23m
212 * Illusion / Bad Blues Link Up / Bad Blues / Illusion Link Up

The only way to go. Start up the corner of Illusion. Just as you start getting into the off-width/bodycrack, step L around a nose with a horizontal break in it. From there, finish as for BB. Watch out for rope drag, twin ropes could be useful.

FA: Unknown, 2000

16Trad 22m
213 *** Iron Mandible

A classic test piece at the grade. Start up face from the ground, or step in from the L at 2m (not as good). It is a little tricky to protect in the first 4m, but look around and salvation will come to hand! From here, climb the superb thin hands-to-fist/off-width crack all the way to the ledge. Rap chains can be found here. Cams to 4.0 (BD) are essential if you don't like run outs!

FA: Rick White, 1972

18Trad 24m
214 * Neon Philharmonic

The original toe destroyer! Bridge and chimney up the thin twi crack system to a stance at 1/3rd height. From there, jam like crazy to a weird grunty move getting round a bottleneck. Flop onto the ledge, suck in lots of air and continue motoring up the corner system above like a crazed madman on speed. Easily to the top. Rap off trees to get back to the chains of IM.

FA: Rick White, Ian Cameron., 1969

17Trad 42m
215 * Neon Philharmonic Variant Finish

This climb has hosted a wasp nest for the last 5 years in a flake just around the R arete about 2m above the start. They are not little ants and as one stupid author found out, can't be tapped out of the flake that they are hiding in! From the ledge above the bottleneck, step R and up the arete for about 5m. Continue a little more R until you wind up in a crack. Follow this to the top. Great fun, excellent moves, super exposure...feisty wasps!

FA: Fred From, Kevin Pearl., 1979

17Trad 18m
216 * The Anti-From

Very bold climbing up a line with good small wires for protection. Start as for the NP Variant finish, but go up the blunt L arete, rather than going all the way out to the R arete. Levitate, wobble and pray your way up this to the top. The difficulties ease substantially at the end.

FA: Evan Bieske, 1983

21Trad 17m
217 * The Anti-From Direct

More scary than 15 horror films rolled into one. Bridge up the gap to a bolt. Wobble and crimp your way to a pocket (#3 RP needed). Up past a second bolt to a stance on the L arete. Follow the line of very shallow seams and cracks (yes, the gear is crap and the flakes brittle), to where the line merges with the original. Extremely bold and technically brilliant climbing by Kim Carrigan.

FA: Kim Carrigan, 1984

24 RTrad 25m
218 * Serenade for Strings

Ballsy! A direct start for the variant finish of NP (can anyone else spell contrived?). Start up DO for about 8m until it is possible to step L on micro holds out to the arete. From here, excellent positions and movement are encountered as you climb up past 2 bolts. Continue to the variant finish of NP (remember the wasps!).

FA: Scott Camps, Richard Henderson, 1986

24Trad 35m
219 * Drop Out

Really good climbing that deserves to be done more often! Climb the tricky crack system to where it widens for a metre at about 1/2 height. Whack in a big cam and climb the tricky constricting bottleneck (crux) to a good jam and stance. Whimper for joy and continue easily to a big ledge. Finish here or, for full value, do the direct finish! Rap as for NP.

FA: Trevor Gynther, Steve Bell, 1983

19Trad 24m
220 ** Drop-out Direct Finish

The only way to go. Continue up the brilliant hand crack flake above to the top. This was originally thought to be a separate route, started off the ledge. It is however a far better variant finish to DO, and a contender for one of the better low grade cracks on the cliff.

FA: Bill Noris, 1980

16Trad 7m
221 Drop-out Variant Finish

Not as good as the Direct Finish (DDF). This is the thin crack up the face directly above Pibrock. Worth a trip if you have done the others. It packs quite a punch for such a midget of a route.

FA: Paul Hoskins, Robbie Allen, 1983

20Trad 5m
222 Kookamunga

Just to the R of the previous route is this crappy little addition to the cliff. A dirty little corner that really has nothing to recommend it.

FA: Paul Hoskins, Robbie Allen., 1983

18Trad 5m
223 Ethicmans Dilemma

A complete sandbag at its old grade of 16. Strap on your knee pads and climb the horrible tight orange groove R of DO. The crack flairs a lot, so getting gear to stay in is quite a mission. Grunt and flail up this pukefest until you come to a stance at 2/3 height. Sweat and vomit and now you will never do this route again, then continue easily to the top.

FA: Ross Allen, Rick White, 1970

18 RTrad 22m
224 * Licensed to Kill

Looks like it probably will! Climb up the pillar immediately R of ED. 3 bolts show the way to the top. Quite a serious and technical lead.

FA: John Pearson, Gordon Bieske, 1986

24Trad 22m
225 Pibrock

Quite tricky off the ground. Start up the corner to a ledge, with excellent protection just keeping things sane. From here, climb the little crack in the corner to finish. Belay from the tree.

FA: Mac Thompson, Glen Burns, 1969

15Trad 20m
226 Satisfaction

A great beginner's lead. Climb the blocks to a ledge. Up the twin cracks to the next ledge. Easily up to the tree.

FA: Ron Collett, Mike Mahoney, 1969

8Trad 30m
227 Satisfaction Direct Start

"Old School" paradise! Climb the disgusting body crack found around to the R of S, until it re-joins the original line. It would be far more productive to shoot yourself, and possibly less painful.

FA: Ron Collett, Mike Mahoney, 1969

13Trad 10m
228 Satisfaction Direct Finish

The obvious handcrack starting from the first ledge. Quite hard, and very easy to hit ledges if you should fall.

FA: Rick White, Ian Cameron, 1974

16Trad 12m
229 Bite Free

A crappy little climb. Start on the R side of the pillar. Go up the micro seam 2m L of the arete, stepping up and around L to a stance, and a now completely pointless 1st bolt at knee height. Finish easily.

FA: Richard Henderson, Scott Camps, 1986

19 RTrad 9m
230 Leprechaun

A tought little unit for about 3 moves, then easily to the tree. Up the crack on the R using lots of grunt and bridging. From here, step L onto the wall and finish easily.

After 1st tree option R overgrown option L loose

FA: Mike Mahoney, Mac Thompson, 1969

7Trad 20m
231 * Night Flight to Venus

What a way to end the guide: with this pile of rubbish. Above and behind Leprechaun, and just R of Pibrock is this lonely little handcrack. It is mediocrity at its worst and not worth the pain.

FA: Bill (the man of mank) Noris, 1980

16Trad 12m
232 Variant Finish

Another wacko job courtesy of Mr Henderson.

FA: Richard Henderson., 1986

21Trad 8m
233 Root

FA: unknown

5Unknown 3m

2. Index by grade

Grade Stars Name Style
5 Root Unknown 3m
6 Saturday Afternoon Walk Trad 15m
7 Excreta Trad 15m
Leprechaun Trad 20m
8 Ex Trad 18m
Satisfaction Trad 30m
9 Short and Sweet Trad 10m
10 Strawberry Alarm-clock Trad 20m
11 Rhyolite Fruit Trad 13m
12 Lape Trad 27m
Witches Cauldron Pitch 1 Trad 12m
Witches Cauldron Pitch 2 Trad 18m
13 * Clockwork Orange Corner Trad 15m
Satisfaction Direct Start Trad 10m
14 Arknamton 1 Trad 30m
** Electronic Flag Trad 40m
* Faki Trad 13m
Mr Bojangles VF Trad 7m
Orchid Alley Trad 20m
Psychedelic Apricot Trad 15m
Trick or Treat Trad 4m
15 ? Trad 14m
Bad Blues Trad 22m
* Bad Company Trad 20m
Chunder Crack Trad 30m
** Devil's Wart Trad 27m
* Frog Art Trad 10m
Illusion Trad 23m
Jockette Trad 22m
* Mr. Bojangles Trad 15m
Pibrock Trad 20m
Pixel Princess Trad 15m
Rest Area Ahead Trad 10m
Uriah Heep Trad 12m
16 Christian Trad 17m
** Drop-out Direct Finish Trad 7m
Eating Gorillas Trad 22m
Electric Banana Trad 40m
Frog Fart Trad 9m
* Illusion / Bad Blues Link Up Trad 22m
* Integrated Injection Logic Trad 15m
Mango Trad 8m
* Night Flight to Venus Trad 12m
Rack Attack Trad 12m
** Satans Smokestack Trad 40m
Satisfaction Direct Finish Trad 12m
16 to 17 Wasp Nest Trad 6m
17 ** Blow by Blow Mixed 18m, 1
Canned Heat Trad 20m
* Chocolate Watch Band Trad 17m
Cold Turkey Trad 27m
Genghis Khan Trad 20m
* Humility (Left Variant) Trad 10m
* If Trad 30m
Image of the Nat Trad 8m
* Jumbo Services Mrs Mills and the Electric Yellow Bums Trad 20m
Just Made It into the Guide Trad 5m
Macraderma Trad 30m
** Micron Trad 20m
* Neon Philharmonic Trad 42m
* Neon Philharmonic Variant Finish Trad 18m
Oscillating Pinapple Trad 10m
*** Smoked Banana Trad 40m
18 * Angel Rider Trad 40m
Arknamton 2 Trad 30m
Arknamton 3 Trad 12m
Bay Play Trad 10m
** Elastic RURP Trad 20m
Ethicmans Dilemma Trad 22m
Fast Eddie Trad 15m
** Fluid / Epic Link Up Trad 30m
*** Gladiator Trad 17m
Harlot Trad 12m
Hello Sailor Trad 20m
Hells Angel Trad 40m
*** Iron Mandible Trad 24m
Kookamunga Trad 5m
Oscar Trad 8m
Saffron Crack Trad 40m
* Second Song Trad 30m
Straight Man's Fear Trad 13m
Vegetation Row Trad 37m
** Warlock Trad 26m
Witches Covert Trad 12m
19 Bite Free Trad 9m
Bits and Pieces Trad 15m
Catharsis Variant Finish Trad 7m
Color Me Dead Mixed 9m, 1
* Drop Out Trad 24m
* Electronic Flag DS Trad 10m
* Hollywood Rattlesnake Trad 18m
* Humility Trad 15m
*** Infinity Trad 40m
Jigsaw Trad 35m
** Magical Mystery Tour Trad 38m
Midnight Express Trad 23m
Myopia Sport 5m
Nemesis Trad 25m
Non Compos Mentis Trad 25m
Nymphets Crack Trad 32m
*** Plume Trad 25m
Psychedelic Apricot Pitch Two Trad 25m
Shocking Blue Trad 25m
*** Sorcerers Apprentice Trad 30m
Sweet Transvestite Trad 18m
*** Thor Trad 30m
Wango Tango Trad 15m
20 Atomic Frog Trad 20m
** Catharsis Trad 20m
Clean Wholesome Outdoor Fresh-air Family-entertainment Science-fiction Superman Physics Trad 50m
*** Cock Crack Trad 38m
Day of the Porcupine Trad 5m
*** Devils Dihedral Trad 45m
*** Dream of Purple Peach Popsicles Trad 27m
Drop-out Variant Finish Trad 5m
* Easy Rider Trad 40m
** Footloose and Falling Free Trad 11m
Gully Bumble Mixed 8m, 1
* Holy Grail Trad 25m
I Wish I Was in Dixie Trad 7m
Keed Spills Trad 15m
*** Odin Trad 30m
*** Piranha Trad 45m
Quick Trad 13m
** Satyricon Trad 30m
*** Short Order Trad 30m
Sleight of Hand Trad 8m
** Termination Trad 18m
** The Great Big Bright Green Pleasure Machine Trad 25m
21 American Snake Trad 27m
** Androcles Trad 10m
*** Cock Corner Trad 30m
*** Conquistador Trad 45m
** Fluid Journey Trad 40m
Garbage and the Goddess Variant Trad 28m
Green Noises Trad 18m
Half-dazed and Patched Pants Trad 18m
** I'm a Mop Mixed 8m, 1
* Juggernaut Trad 30m
O Lucky Man Trad 12m
** Oppenheimers Monster Mixed 25m, 2
Popping Pillars Trad 7m
* Run With the Pack Trad 20m
* The Anti-From Trad 17m
The Guns of Navaronne Variant Finish Trad 8m
*** The One That Got Away Trad 42m
Variant Finish Trad 8m
** Warlock DS Trad 26m
22 * Bitter and Twisted Trad 45m
** Decade Trad 30m
Equality Trad 40m
Face Facts Trad 7m
Fat Dog Trad 10m
Holy Grail Direct Finish Trad 15m
Infinity Variant Finish Mixed 10m, 1
Left Behind Trad
* Little Running Bear Trad 7m
*** Lonely Teardrops Trad 22m
* Lord Drool Sport 6m
* No Return Trad 30m
*** Old Guard Trad 40m
** Out on a Limb Trad 18m
Safe as Milk Trad 15m
** Satsang Mixed 5m, 1
Squeaky Leather Trad 38m
** Suicide City Trad 20m
* Understanding Trad 40m
*** Yankee Go Home Trad 26m
23 Baby Staysharp Sport 7m, 2
Bag the Nazi Trad 25m
* Battered Son Trad 20m
Bel-air Trad 15m
Brain Death Trad 10m
* Chemical Adrenalin Trad 24m
** Dangerously Sane Trad 22m
** Day of the Jackal Trad 28m
*** Deliverance Trad 45m
*** Epic Journey Trad 30m
* Garbage and the Goddess Mixed 28m, 1
* Go-between Trad 18m
*** Insomnia Trad 40m
Lambs Fry Trad 25m
* Midnight Lightning Trad 15m
Momentary Lapse Of Reason Mixed 12m, 3
No Return Direct Finish Trad 5m
** Nosy Business Trad 20m
** Ockerphillia Trad 23m
Perversion Trad 40m
Quite Contrary Trad 40m
Rudys Got New Shoes Trad
* Separator Trad 20m
That's Rat! Trad 15m
*** The Guns of Navaronne Trad 30m
** Unknown Bolt Fest Mixed 25m, 3
24 * Bitching and Back Stabbing Mixed 12m, 2
Bombs Over British Airways Trad 30m
* Cheshire Cat Trad 20m
** Down With His Pants Mixed 20m, 3
* Ginger Bitch Trad 15m
** Gone and Forgotten Trad 20m
* Instant Karma Trad 25m
* Licensed to Kill Trad 22m
* Quietly Superior Trad 20m
* Serenade for Strings Trad 35m
* The Anti-From Direct Trad 25m
The Gentle Lion Trad 12m
The Guns of Navaronne Direct Variant Trad 4m
** The Last Ungreat Trad 15m
** Wild One Trad 20m
*** Worrying Heights Trad 30m
25 ** Barbed-wire Canoe Trad 27m
Bongo Gongo Wasto Ergo Sum Trad 20m
* Green Plastic Comb Trad 20m
** Life at the Top Trad 30m
** Paranoia Trad 25m
* Separator Direct Start Trad 10m
** Stonkers and Steroids Mixed 30m, 4
** Tantrum Trad 45m
*** Voices in the Sky Trad 32m
* You Climb This, I'll Climb Something Else Trad 40m
26 * Chook Fear Trad 20m
** Inhibition Mixed 15m, 3
** Petulance Trad 45m
* Sadhana Mixed 10m, 1
** Self Expression Trad 20m
* Wild One Direct Start Trad 5m
27 Flange Desire Trad 25m
* Handy Andy Mixed 20m, 2
** Stand in Line Trad 28m
** Time for Tea Trad 35m
28 *** Brown Corduroy Trousers Trad 25m
29 * How Are Your Calluses Today Trad 20m
? Saffron Sun Trad