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The big, grey, north-facing wall high in the Muline Creek Valley is serious cliff offering thin, poorly protected wall climbing on excellent rock. For serious callers only.

Originally called 'Generation Gap' by the first people to climb on the cliff but, unaware of this, a later next party called it 'Cervantes Wall', a much more suitable name for this fine cliff.

The cliff is often running with water so have a good look from the road before walking in.

© (kieranl)

Access issues inherited from Victoria Range

The Victoria Range was badly burnt in the fires of February 2013 but all areas are now open to climbing (Feb 2014). However there are access changes to the cliffs in the Eureka area.

Here's an update from Parks Victoria:

Grampians National Park Update – 14 February 2014 (Rock climbing and Bouldering)

The Northern Grampians Fire severely burnt the natural environment and much of the park infrastructure in and around Hollow Mountain, Summer Day Valley and Mt Stapylton – this includes many popular rock climbing and bouldering sites; as a result there are many park closures in place. The dry, rocky landscape is now extremely fragile and will take a long time to recover – the fire burnt extremely hot so in many cases regeneration will now occur (very slowly) from seed. Loss of vegetation, loose rocks, unstable soils and loss of access tracks means any foot traffic will have long term impacts on the recovery of the environment. Impacts now will also affect the sustainability of rock climbing sites well into the future.

Please respect the fragility of the environment and support the long term recovery of the Northern Grampians by remaining out of any closed areas. While Parks Victoria regrets the need to enforce closures, substantial fines will be imposed on those found in any closed, fire affected area.

Parks Victoria recognises the importance and popularity of the Northern Grampians to the rock climbing and bouldering communities and will be working closely with industry and community representatives throughout a staged reopening process. Environmental considerations will largely determine when sites are available to be reopened, and replacement of damaged infrastructure will occur as suitable funding is available.

As part of the recovery process, Parks Victoria will be identifying alternative options for climbing and bouldering, and will closely monitor impacts on these sites as their use and popularity increases. There will also be significant work done on the future experience of visitors in the Northern Grampians.

Parks Victoria is continuing to improve its understanding of the needs of climbers and boulderers and is intent on providing an experience that is well respected, regarded, promoted and understood throughout the Australian and International Climbing and bouldering communities.

Parks Victoria will be relying heavily on the climbing industry to work together to spread the messages about the fragility of the landscape and the long term sustainability of rock climbing in the Grampians. There may be opportunities for licenced tour operators, school and community based groups to become involved in the recovery process.

Due to closures in the Northern Grampians, the availability of rock climbing, camping, car touring and bushwalking experiences is limited. Sourcing information on available campgrounds and other accommodation options is recommended. Please visit for park maps and regular Grampians fire recovery updates.

For detailed information on available rockclimbing and bouldering sites in and near to the Grampians please refer to recognised guidebooks/websites. A general list of open and available areas includes the following:

Rockclimbing sites open in the Grampians:

  • Wonderland Range
  • Serra Range (Including Mt Rosea and Bundaleer)
  • Mt William Range
  • Victoria Point area
  • Victoria Range (Including the Red Rock, Muline and the Gallery area. Please respect cultural heritage and recovering fire affected areas)

Limited Bouldering Sites available in and near the Grampians:

  • Victoria Range (Including the Gallery area. Please respect cultural heritage and recovering fire affected areas)
  • Serra Range (Including Mt Rosea and Bundaleer)
  • Mt Arapiles
  • Mt Talbot
  • The Black Range

Please remember your climbing etiquette:

  • Only climb and boulder in open accessible areas
  • Stick to tracks
  • Respect fragile environmental areas and cultural heritage
  • Keep an eye out for Aboriginal Art sites – Report to Parks Victoria if you come across anything new.
  • Be mindful of cleaning
  • No chipping or bolting
  • Avoid excessive chalk
  • Take your rubbish home with you

Parks Victoria - Grampians National Park


Approach from the left end of Muline Cave via a faint pad.

Descend by a 50 metre abseil down "Baltic City", leaving a very long sling, or down the cleft left of "Dracula's Blood"

© (kieranl)


Some content has been provided under license from: © Australian Climbing Association Queensland (Creative Commons, Attribution, Share-Alike 2.5 AU)


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Grade Route
15 Dracula's Blood Trad 45m

Steep, juggy climbing and some disconcerting rock.

Start: Start at right-hand end of cliff at obvious flake ramp sweeping up right.

FA: Melanie and James McIntosh, 1991


OK but some poor rock.

Start: Scramble 5 metres up the ramp above "Dracula's Blood" to belay.

  1. 25m (17) Easily up ramp. Up onto wall and traverse left along line to above the belay. Up weakness to overhang, undercling around left and climb line to stance.

  2. 20m (-) Rotten line above, then left and up.

FA: Steve Hamilton, Chris Baxter, 1989

21 R ** Don Quixote Trad 60m

Great but both pitches are bold and require drive.

Start: Start right of the huge wall, where a smooth wall rises out of the forest.

  1. 60m (21) Step onto wall from a boulder on the right and climb the vague prow on excellent rock. When things ease, move left and up to belay.

  2. 40m (21) Step left and up another vague prow in the wall until a right-leaning flake-line leads up to the roof-line. Ste left at roof then climb around it at its narrowest point. Move right on the brink of the roof, then up headwall past right side of upper roof-line.

FA: Keith Lockwood, Steve Monks, Jane Wilkinson, 1991

23 R ** Cervantes Wall Mixed 55m, 1

Takes the smooth convex wall left of "Don Quixote", starting by the shady gum tree.

  1. 55m (23) Delicately past bolt at 6 metres then step right to good nut. Up and slightly leftward until the climbing eases. Tend rightward up beautiful rock to an incut ledge.

  2. 20m (-) Up thin vertical crack directly above belay, with a slight detour via a flake on the left. Finish via a cave under the summit roof (as led) or straight up the overhanging white cleft (as seconded).

FA: Keith Lockwood, Steve Monks (alt), Norm Booth, 1992

24 X ** Tilting At Windmills Trad 70m

A grand route with solid climbing well out from runners.

Start: Start at the left end of the long ledge under the main wall, under a small flake high up.

  1. 40m (24) Move up on the left, then balance delicately up right to a break. Move right then precariously up to the next break. Traverse back left then straight up to the flake. Step left at top of flake and boldly up wall above to stance.

  2. 30m (-) Up, then tend left up wall until able to gain right-hand end of huge horizontal block at the summit overhang. Pull over roof-line to top.

FA: Mark Hopkins, Keith Lockwood (alt), 1992

19 * Baltic City Mixed 50m, 2

Head up right to a bush, up thin crack, left along break to a bolt, then straight up past another bolt and the left edge of the crater.

Start: Start about 20 metres left of "Tilting At Windmills" on large boulders, below a crater high on the wall.

FA: James and Melanie McIntosh, 1992

21 R * Sancho Panza Trad 50m

Runout climbing up a superb wall.

Start: Start just left of "Baltic City"

  1. 35m (21) Up left a bit then straight up, about 10 metres left of "Baltic City". At about 30 metres traverse right to a wide flat jug then back left along a dyke-seam then up to the end of the big ledge.

  2. 15m (-) Up easily.

FA: Keith Lockwood, James McIntosh (alt) and Melanie McIntosh, 1993

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