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Routes as trad in Queensland

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Showing 1,001 - 1,100 out of 2,855 routes.

Grade Route Gear style Popularity
South East Scenic Rim Frog Buttress West of the access track
22 Lonely Teardrops

Stunning quality, an absolute classic. Start on the ledge above and R of the start to Infinity. Steep jamming and locking leads to a pronounced crux rounding the bulge. Great gear, a little spaced at the crux, but completely bombproof. Finish easily up to the Infinity chains.

FA: Rob Staszewski & Dave Moss, 1979

Trad 22m
24 Quietly Superior

Originally named Crystal Blue Persuasion, Rob S. claims that the climb was stolen from under his nose... Buy him a beer for the full tragic tale! Regardless of that, the climbing is excellent, with the gear being very good, but a little fiddly to place in spots. Aliens and RPs help a lot. Brilliant bridging and chimney moves up the orange corner to the R of LTD.

FA: Marty Beare, 1980

Trad 20m
23 Rudys Got New Shoes

What some used to consider a good route has since been rendered obsolete by a tree.

Trad 18m
19 Jigsaw

An absolutely brutal start up the narrow V-groove splitting the pillar to the L of WC. From here easily up to the level of WC ledge. Follow up a short hard corner, with the last moves at the top keeping things interesting.

FA: Rick White & Ian Cameron, 1971

Trad 35m
15 Witches Cauldron (Variant Finish)

Start up W.C. until it is possible to step left into the chimney. Up this onto the pillar and straight up the hand crack to a trad placed belay below the 2nd pitch of W.C.

Trad 14m
12 Witches Cauldron Pitch 1

Start marked 'WC'. A hundred ways to get up this twin cracked, 3 sided chimney! A better access pitch to 'Plume Ledge' than SAW.

FA: Rick White & Chris Meadows, 1969

Trad 12m
12 Witches Cauldron Pitch 2

The way the route originally finished. Start on the L of Plume Ledge. A brutal grunt up the horribly tight body chimney directly above pitch 1. There is not a lot of gear but it doesn't matter as you are so stuck in this thing that it would be very hard to come out anyway! A must do for all aspiring guardians of Frog ethics!

FA: Rick White & Chris Meadows, 1969

Trad 18m
14 Mr Frog

Up Witches Cauldron then through the body crack to finish up Witches Covert.

FA: Tyson & Jade Burns, 17 Apr 2023

Trad 17m
20 R Quick

Don't fall on this extremely under protected route... gravity will definitely win! Up Harlot for a move or two, then up the arete. Really classy moves, and quite enjoyable climbing. It's a pity the piton used on the first ascent didn't stay in! Some pro can be found in the crack around on the L face, but it won't help much if you fall near the top.

FA: Rob Staszewski & Derek Sheldon, 1976

Trad 13m
18 Harlot

A good and technical boulder problem to a stance at 3m. It's best to jump off here but if you must, strap on some knee pads and thrash for glory up the wide crack above.

FA: Rick White & Ron Collett, 1969

Trad 12m
16 Mrs Frog

Climb Witches Covert past ledge. Up hand crack until possible to step over into body crack then through to finish up Witches Cauldron.

FFA: Sam J & Caroline Dinon, 1 May 2023

Trad 13m
18 Witches Covert

A good start up the 2 cracks R of Harlot up to a ledge. Negotiate the overhanging hand crack to the top chimney. The top is ugly, loose and unavoidable, but thankfully it is also very short.

FA: Rick White, 1970

Trad 12m
19 Humility

A classic one-move wonder, the face R of WC. Start off the ledge on the R. Wobble up on thin and balancy moves until a jug on the L arete comes to hand. Easily up the line past a piton (hidden from view) to a tricky little mantle move at the ledge. Easily up to Plume ledge.

FA: Ross Allen, 1970

Trad 15m
17 Humility (Left Variant)
Trad 10m
14 Psychedelic Apricot

A hard lead for a beginner, above a big ledge. Lay back the corner to the ledge. Easily to the top. A number 5 cam is essential to keep this lead safe. Bolted belay anchor.

FA: Bob Gowan., 1969

Trad 15m
15 Rest Area Ahead

A one move special, and a soft touch at the grade. Start at the obvious crack in the corner R of Humility. Up this with excellent protection to a ledge. Bumble easily to the top as for PA. Bolted belay anchor.

FA: Simon Uren, 1981

Trad 10m
6 Saturday Afternoon Walk

The easiest climb on the cliff. Wander up the line of least resistance to the right of RAA. It's also a good way to get to Plume Ledge quickly.

FA: Ron Collett (free solo)., 1969

Trad 15m
16 R Saturday Afternoon Walk DS

Boulder up the unprotected pillar just left of Chocolate Watchband

Trad 6m
18 Chocolate Watch Band

Great climbing up the pillar bisected by an ever widening crack. The crux is near the top, coming out of a cave into a fist jam section. Easily up and L to Plume Ledge.

FA: Rick White & Rod Bolton., 1969

Trad 17m
23 Nosy Business

Up the blunt arete to the R of CW. Delicate and strenuous moves past 2 bolts. Veer L here with much difficulty and moaning to put a runner in CW to keep things sane. Continue up past 2 more bolts to the top.

FA: Mark Moorhead & Rod Young, 1983

Mixed trad 20m, 4
18 Gladiator

An absolute classic at the grade, and a test piece jamming problem. Up the pumpy and strenuous hand crack, milking the numerous rests and stances as they come to hand. Some of the best hex placements at Frog are found here. Straight up to DRBB.

FA: Chris Peisker, 1975

Trad 20m
16 Christian

A gruntologist's dream. Clang your hexes for joy and release a tribal yelp before plunging head first into this body chimney. It climbs better than it looks. A serious lead however due to some questionable rock. Take big gear to keep it sane and somewhat safe.

FA: Ross Allen, Ian Cameron & Rick White, 1975

Trad 17m
24 Bitching and Back Stabbing

Start on the far L side of the little ledge of ML. Move up the front of the detached pillar passing 2 bolts on the way. Not too bad.

FA: Paul Hoskins, Chris Frost & Darren Holloway, 1988

Mixed trad 12m, 2
23 Midnight Lightning

The dark corner capped by a small triangular rooflet really deserves to be more popular. Difficult and bold climbing on good gear leads to a tough move around the roof. A tough finger crack finishes off this classy route.

FA: Joe Lynch & Rob Staszewski, 1981

Trad 15m
26 Inhibition

Hard and grunty climbing on one of the sexiest looking aretes to be found. Start off the little ledge above WC then slap, crimp and wobble your way up past 3 FH to the top. Avoid the temptation to grovel off L and you will be rewarded with some beautiful exit moves!

FA: John Pearson (early's), 1990

Mixed trad 20m, 3
24 Instant Karma

Bold and risky face climbing. Start 1.5m L of ME. Up a short crack to the rest at a rooflet. Flail up the desperate face through the bulge with not a whole lot of protection! The upper wall is a little easier and quite classy, although you might be such a jibbering mess that you don't remember.

FA: Scott Camps, 1984

Trad 25m
19 Midnight Express

Innocently evil! This fine-looking hand crack very quickly turns into a fiendish off-width. Some loose choss to negotiate when first entering the body crack. Most chock stones wobble until up high. Committing

FA: Ted Cais & Ian Thomas, 1973

Trad 23m
19 Psychedelic Apricot Pitch Two

Although the climbing is actually quite good, the rock on this orange corner at half height is loose and hollow, so be cautious on the lead.

FA: Rick White & Ian Cameron (some aid)

Trad 25m
18 Plume

From the right side of 'Plume Ledge' (facing the cliff) Climb the obvious hand crack infront of a forked tree (belay). Great jamming up to a diagonal traverse right to a jug, then up the thinning crack trending slightly left on face holds to top mantle.

FA: Fred From, 1976

Trad 25m
20 Termination

Brilliant face climbing up the thin face on the far L of the ledge. Despite appearances, protection is excellent throughout the whole climb (provided you have RPs), and it is a must do at the grade.

FA: Fred From, 1976

Trad 18m
16 Integrated Injection Logic

The twin crack system capped by a small roof to the L of Faki. A bumble up the start of this route will hopefully not dull the senses. Some tricky moves above adequate but slightly spaced protection see a good rest come to hand below the roof. Hand traverse L under the roof and around onto the face (crux). Strenuous and sustained moves to the top are sure to bring a smile to your face.

FA: Fred From, 1976

Trad 15m
14 Faki

The best 14 here! The brilliant L facing corner is an excellent introduction to sustained bridging and jamming. Rap chain is visible just up from the ledge.

FA: Fred From (solo), 1976

Trad 13m
22 R Safe as Milk

Bold and strenuous climbing with not much in the way of good protection! Start at the crack just R of Faki on brilliant thin hand jamming. Fron here, pack your spare undies, move up the arete for a move or two, and then R and up through the bulge! Although there is adequate pro (just), it is still a very serious proposition.

FA: Marty Beare & Stuart Camps, 1983

Trad 15m
22 Old Guard

Brilliant climbing up the dark corner to the R of Christian. Up easily for 7m to a stance. Release a blood-curdling howl and tear up the hard lay back line to the top like a frenzied madman! Technical jamming and layback sequences provide thoroughly absorbing and sustained movement all the way. Milk the rest at half height, as that's all you get. From the ledge at the top, one hard move onto the wall and you can step L onto Plume Ledge. Finish here, or get extra "old school points" by thrashing up the final wide groove above.

FA: Kim Carrigan & Marty Beare, 1978

Trad 40m
20 Keed Spills

A better variant finish for OG. At the start of the last groove on OG, step R and climbing the thin crack up the face. Be careful as the first few moves are completely unprotected and you could be reduced to a whimpering mess with the technical and exposed moves above.

FA: Fred From & Mark Morwood, 1981

Trad 15m
23 Perversion

Up the wall to the R of OG. Not done very often. Up the initial corner, which is quite technical and interesting. Rest at the ledge and then blast up the thin seam past 2 ancient pitons. Not the best route around.

FA: Marty Beare, 1983

Trad 40m
20 Nymphet's Crack

3 very different hard sections. Start at the body crack about 8m R of OG past tree to ledge. Difficult moves up thin hands/fingers crack leads to a rest at a tree. Easier hand crack to desperate exit and an anchor here would really make this a worthwhile route. In the meanwhile, suffer up the last grotty 3m then traverse to Satyricon's anchor.

FA: Joe Lynch, 1981

Trad 32m
20 Satyricon

This long-neglected corner offers brilliant bridging and jamming up a long sustained line! Bridge up the initial corners to the cave at 2/3rd height. A hard move around this to the top, and many celebration beers at the "Doogs". Rap chains on the pillar.

FA: Kevin Pearl & Fred From, 1978

Trad 35m
21 O Lucky Man

Put a high runner the start of Satyricon, then step R onto the arete and up. Pass 2 very lonely and dodgy looking pitons, then climb the wall above.

FA: Gordon Bieske & Alan (Sunshine) Wilkie, 1983

Trad 12m
23 Unknown Bolt Fest

No one knows much about this route... although it may have a name that involves kinky acts by a pool. The arete left of CC is excellent, although quite dangerous if lead straight off the ledge. My assumption is that the original ascent went up Satyricon and stepped R at the jug and bolt! This makes for a brilliant climb. Continue up the arete past 3 more bolts and a small cam or nut placement.

FA: Paul Hoskins & Evan Bieske ('s), 1990

Mixed trad 25m, 3
17 Chunder Crack

This route is very well named, and a contender for the greatest sandbag ever at the original grade of 15! If you must subject yourself to this torment, go up the top of the pillar R of OLM. Climb up the horrible strenuous off-width corner. A protectable lead with big gear.

FA: Rick White & Chris Meadows, 1968

Trad 30m
23 Bag the Nazi

The bolted arete starts up CC for about 5m, and then steps out. It is really good, however the bottom section features brittle rock. Up past the fixed hangers, trending slightly R, to eventually finish at the chains of SA.

FA: Paul Hoskins & Evan Bieske ('s), 1990

Trad 25m
14 Under the Jug

Twin hand cracks below Juggernaut. Good for teaching jamming

Trad 7m
20 Juggernaut

Even whispering the name of this route has struck panic and fear into the heart of many an aspiring leader. Up the ever widening off-width to the L of SA. Specially cut lengths of pipe were originally used to protect this visionary route. Big Bros and large cams (and plenty of them) should keep the Grim Reaper at bay nowadays! Jeans and a footy jersey would be a handy addition to the rack of any would be ascentionist.

FA: Ted Cais & Rick White, 1974

Trad 30m
19 Sorcerer's Apprentice

Classic crack climbing, an excellent example of jamming at Frog. Start at the obvious crack on the far L of Warlock Ledge. A tricky start to get established in the crack (watch out for the loose rock), and then magnificent jamming up the line. Finish at the ledge and rap chains above.

FA: Henry Barber., 1975

Trad 30m
20 Dream of Purple Peach Popsicles

A very popular route, and deservedly so. Up the classic line on superb finger locks and jams to an easy but grotty chimney finish. To rap, either use chains on SA (left) or YGH (right). Easiest way is the tree directly above the route that will get you back to Warlock ledge with a 70m rope.

FA: Henry Barber & John Fantini, 1975

Trad 32m
22 Satsang

Variant finish to 'Dream of Purple Peach Popsicles' and by far the better way to go. Avoid the final chimney by stepping onto the R face and up past a bolt. Great exposure and brilliant crimpers make this the preferred way to go!

FA: Scott Camps, 1985

Mixed trad 5m, 1
22 Yankee Go Home

Simply amazing finger locking up the line that bisects the blank wall L of Warlock. There are 2 very distinct cruxes on this thoroughly enjoyable and sustained outing. Easier moves up the final chimney to finish at the rap chain. A 60m rope will get you back down in style.

FA: Henry Barber., 1975

Trad 26m
18 Warlock

The direct start up the off-balance and diabolically smooth corner goes at 21. To avoid this abuse of your body, you can go up YGH for a move or two, and then step across to the ledge. Up the twin crack system, with the final moves around the huge overhung chock stone being an absolute show stopper! Tree belay above the chock stone or DBB slightly left above YGH. The FFA details are shrouded in mystery, however Rick White, Chris Meadows and Mike Meadows climbed the line with some points of aid in 1969.

FA: Mike Meadows with some aid in, 1969

Trad 26m
21 Warlock DS

Direct start to Warlock.

Trad 26m
23 Day of the Jackal

You will need to eat your spinach for this one! Two ropes are the key to success on this exposed and wandering route. Layaway the arete R of Warlock and up delicately to a stance. Up to the thin orange corner capped by a roof. Step R just before the roof, up, and gain a wobbling stance on the left wall. Control your leg's desire to impersonate Elvis, and climb L up the exposed and steep face towards the hanging flake. Flop onto the ledge and hoot for joy!

FA: Jeff Lamb, Marty Beare, Joe Lynch & Dave Moss, 1980

Trad 28m
20 Day of the Porcupine

A short little variation of DOTJ. Instead of climbing the short organge corner, climb the R underside of the ear shape that makes the R wall of the corner. Not much better, and pretty contrived.

FA: Even Bieske, Paul Hoskins & Dave Moss., 1983

Trad 5m
19 Thor

Very nice! Step in from the left, and boulder R to the jug. From here, climb the beautiful line and finger crack to a stance below a corner. This corner provides beautiful positions and stances, and finishes up an easier crack to the top.

FA: Henry Barber, 1975

Trad 30m
20 Odin

If you wish to log this climb, please do as at Odin II. This climb was regraded to a 21 after the "magic block" was dislodged in June 2017. Odin remains as a historical relic, to record the ascents of those who did it during the "magic block" era.

This classic climb used to be the test piece for all budding rock gods in the 1970's. Up the initial orange crack system to a stance below the "magic block". A tricky move above this into a narrow groove. The hand and fist crack above keeps you puffing the whole way! Hard for the grade.

Take care with all the hanging blocks in the vicinity of the roof.

FA: Barry Overs & Rick White, 1971

Trad 30m
21 Odin II

Odin without the magic block (as of June 2017) seems a fair bit harder. Take some 4 camalots.

Take care with all the hanging blocks in the vicinity of the roof.

A complete classic; this climb used to be the test piece for all budding rock gods in the 1970's. To view ascents logged before the magic block was dislodged, you can still find them under Odin. To see what the climb looked like with the magic block in situ, you can see Rick White climbing it here (but don't blow your onsight!):

https://www.youtube.com/watch?v=fYqm_qZ1e6Y&feature=youtu.be&fbclid=IwAR3bqLX1KnC0UEmAvpLarEGnEXlhRK_U6-RZlFBWgPxpP-I8KH5hOHLlhco

FFA: Barry Overs & Rick White, 1971

Trad 30m
23 The Guns of Navaronne

Update: As of June 2017 the "magic block" is gone! Grade and description are awaiting an update. Take care with all the hanging blocks in the vicinity of the roof.

Very photogenic climbing up the only line here that has anything close to a roof! Up the initial blank corner with loads of class to a rest at the "magic block". Fire up and hand traverse R into the void! A hand to fist-sized cam at the lip keeps things sane. Spicy moves above to the top.

FA: Tobin Sorenson & John Allen, 1979

Trad 30m
24 The Guns of Navaronne Direct Variant

Small, short and horrifically desperate. If you're keen for a change of scene, however, and have recently made out your will, this could be the one for you. Go straight through the roof, without going into Odin. Levitation abilities may be handy.

Trad 4m
21 The Guns of Navaronne Variant Finish

A bit silly and contrived, I think the original is better. Once above the roof, step back and L and up the arete past a bolt and a piton, finishing up Odin.

Trad 8m
22 Decade

This route was climbed on the 10th anniversary of the discovery of Frog. The gear is excellent but spacious; however, stopping to place it makes things a lot more exciting! Up the obvious line R of TGON featuring very technical face and crack climbing moves to the stance. Follow a thin seam as the difficulties gradually ease to the top.

FA: Greg Child & Rick White., 1978

Trad 30m
21 Androcles

The dark, smooth corner to the L of If is a direct start. Up this on very thin gear with no real worthwhile pro. Continue as for If. A serious proposition for those just leading at the grade.

FA: Kevin Pearl., 1979

Trad 10m
17 If

Adventure climbing up a wandering line. Well worth a visit. Blast up the initial cracked arete to shallow nut then good runner (or just solo it as it's easy climbing) to a stance in a cave and a very old piton(can be backed with small nut). From here step L into the corner system and up this line with good gear and one more equally crappy piton (also can be backed with natural pro). Tree belay on left.

FA: Ross Allen & Rick White, 1978

Trad 30m
24 R Bombs Over British Airways

Up If to the first piton. From here, go up the orange corner to the roof, pulling round this and onto a stance on a huge jug. Place a high runner in If, say goodbye to your family, and move R and up the face on thin and "delicate" holds.

FA: Paul Hoskins., 1983

Trad 30m
20 Short Order

An absolute classic test piece locking and jamming problem. A hard start gains a stance at 2m. From here, climb the unrelenting corner with excellent gear, stances and locks. Keep plugging and moving like a punch-drunk boxer, as the lactic acid build-up ever so surely creeps up on you. There are just enough stances and holds to keep you from being reduced to a whimpering mess. A DBB can be found above the ledge as you top out.

FA: Henry Barber & John Fantini, 1975

Trad 30m
20 Clean Wholesome Outdoor Fresh-air Family-entertainment Science-fiction Superman Physics

A R to L girdle, but fun for a change of scenery and direction! Up SO for 5m, then step L to the 1st piton of If. Edge across Decade, and bridge with much trepidation into Odin level with the large jug and flake. Across and up into Thor, as far as the overhang, then traverse onto the Warlock Ledge and off.

FA: Stuart Camps & Scott Camps, 1983

Trad 50m
19 Shocking Blue

Not pleasant. Up the initial fist crack to a horror blank corner above the fig.

FA: Fred From, 1978

Trad 25m
22 Saffron Sun

Brittle start up wall beside SC. Hug your way up the slim buttress between SB and SC, passing 4 BR. Exit via the chimney at the back of detached buttress to the chain above Smoked Banana

FA: Scott Camps

Trad 22m
23 Battered Son

Classy arete and face climbing L of Saffron Crack. Really good climbing, unfortunately there is a very hard clip at the bolt! 3 bolts lead the way to the top.

FA: Scott Camps ('s), 1980

Trad 20m
13 Where the Wild Things Are

Slither down into the underworld to hide from that one embarrassing memory your subconscious keeps reminding you of. Pleasant subterranean chimneying leads to a very tight exit and memorable crux. If you liked sticking pencils in your eyes for fun and you'd also love to stick some forks in as well then this slot is for you.

FA: Lee Prescott & Dylan Glavas, 18 Aug 2023

FFA: Sam J & Dave OS, 6 Sep 2023

Trad 15m
18 Saffron Crack

The start of this climb features a R-leaning Off-width problem that is both well protected and a great test of your crack-climbing abilities. Step into the corner and chimney of EB. Up with ease and good movement to the top.

FA: Rick White & Ron Collett., 1970

Trad 40m
16 Electric Banana

Not a mind-blowing affair but worth a lap! Start up the ordinary groove and face, then finish up the easy chimney.

FA: Rick White & Chris Meadows., 1969

Trad 40m
17 Smoked Banana

Classic Frog climbing. Up the initial twin cracks with some difficulty to a ledge. Step L and up the single crack to a stance under a daunting roof. Sling the chock stone on the R in the wide crack, swallow hard and swing out and up the ladder of chock stones with bowel-quivering exposure! Rest your nerves in the body crack for a moment, travel into the depths of the crack, then squeeze up for a move or two until it is possible to step out onto the arete and face. Easily to the top.

FA: Rick White & Greg Sheard, 1968

Trad 40m
22 Understanding

The variant finish to SB is a very classy little outing. Climb up SB to the overhang. Take a large breath, step L up and around the overhang to a carrot bolt. Follow the line staying on the arete and up a thin crack to the top.

FA: Stuart Camps & Russell Chudleigh., 1985

Trad 40m
17 Oscillating Pineapple

Total crap. A crappy little line that is usually done as a variant start to SB. Not worth the trip. FA Unknown (probably due to shame)

FA: Unknown, 2000

Trad 10m
18 R Vegetation Row

Not the best. After about 20m of vine-filled loose dirt and crap, you will find about 15m of actual climbing. You could have more fun by staying at the bottom of the cliff and shoving sticks under your fingernails!

FA: Rick White & Ian Cameron, 1972

Trad 37m
24 Cheshire Cat

Up the ledge left of VITS. Face climbing using the thin crack for protection. Very small gear required to protect the crux. At around 3/4 height climb right into the finish of Voices.

FFA: Ross Ferguson Bill Strachan, 2008

FA: 2008

Trad 20m
25 Voices in the Sky

Fantastic climbing and superb positions can be found the whole way up this thin and daunting line. Despite appearances, brilliant protection in the form of small wires and micro cams can be found the whole way.

FA: Kim Carrigan & Kevin Lindorff (yoyo), 1979

Trad 32m
19 Magical Mystery Tour

Classic crack climbing. Start at the finger crack as it continues to widen the whole way up the route. Don't be fooled by the wide nature of the top, although big gear is essential to protect this route (#4 and #5 BD cams won't go astray), you are able to bridge past almost all of the wide thrashing! A 70m rope will get you back to the ground from the chain around the tree.

FA: Rick White & Ross Allen (yoyo)., 1969

Trad 34m
22 Squeaky Leather

A good variant to MMT. Start up MMT, and step R at an old piton onto the arete at 10m. Directly up the arete past more bolts to the top.

2018 update: the pin remains but bolts appear to have been removed. Only one rusty stud remains.

FA: Tony Barten, Craig Kentwell & Mick Peck., 1988

Trad 38m
20 The Great Big Bright Green Pleasure Machine

Brilliant! Start up the off-width to a ledge at 4m (alternatively, you can start up HG for 4m and then step L onto the same ledge). From there up the awesome finger crack with excellent face holds and locks to a thin crux at half height. From there, up the hand and fist crack to a ledge. Go up the broken corner at the back and right to double rings. Bring second rope to get down.

FA: Henry Barber, 1975

Trad 33m
20 R Holy Grail

This climb has some really nice moves on it. Unfortunately, it also has a huge loose boot-shaped rock at 1/2 height. The loose rock and poor pro continues above this. Flop onto the same ledge as for TGBBGPM. Although it looks like a classic, there are far better options on either side!

FA: Matt Taylor, 1975

Trad 25m
22 R Holy Grail Direct Finish

Instead of flopping onto the ledge with quiet relief, continue up the depressingly blank corner for another 15m to the top. Very small gear and one very old piton pretend to offer adequate protection.

FA: Joe Lynch, Murray Ball & Rob Staszewski., 1983

Trad 15m
21 The One That Got Away

Absolutely classic, although your calves will hate you for your efforts! So named because Barber somehow managed to miss this fine line on his "tick every classic in sight" tour of '75. Enjoy the crack work and bridging moves up the long corner with superb gear throughout. Top out to Conquistador ledge rap chains, you will need two ropes or a single 70m to get back down.

FA: Nic Taylor., 1976

Trad 35m
22 Bitter and Twisted

A nice variant finish to TOTGA, but it simply isn't as good as the others. Climb about half way up TOTGA, then step R (following a seam) to a bolt on the wall. Continue out R and up the arete passing another bolt. Easily to the top.

FA: Darren Holloway, 1988

Trad 45m
21 Conquistador

If there is one route that simply must be done at Frog... this is it! Possibly the most magnificent outing at the grade ever! Jam with joy up the initial crack section to a stance at half height. From here, a hard move on finger locks in an overhanging section brings the world's most welcome jugs. Motor up the classy finish with moves that would make anyone look stylish! Rap chains can be found on the ledge.

FA: Henry Barber, 1975

Trad 45m
20 Devils Dihedral

This daunting line is simply magnificent. Up the twin cracks on locks and jams that would leave a poet short for words. From here, continue up to where the cracks merge to form a single, steep, fingers to fists crack. A hard move to the ledge provides a classic sting in the tail.

FA: Henry Barber, 1975

Trad 45m
23 Deliverance

The 3rd of an unsurpassable trio. A desperate start on pin scars, locks, friction and prayer sees you established in this daunting corner. Continue up this monster pump fest with every move just as good as the last. Save some energy for the last few moves... it has sent more than one flailing would-be ascentionist plummeting into space. Some of the best gear at Frog keeps this climb sane.

FA: Henry Barber, 1975

Trad 45m
26 Petulance

Start as for Tantrum. Climb up about 8m and step L onto the arete. Follow the line of bolts to the top featuring gut-wrenching exposure, and quite classy arete climbing. Some parties start up Deliverance instead.

FA: Chris Frost

Trad 45m
25 R Tantrum

Overgrown and overshadowed by its company it received little attention for years. A recent cleaning and addition of a piton down low (it was originally led with a pre-placed RP) has made it a more attractive proposition. Bridge up tree to get piton and an RP. Thin bouldery moves lead to very enjoyable and friendly climbing above.

FA: Tobin Sorenson & John Aleen, 1979

Trad 45m
23 Brain Death

Crap. A desperate little corner up the L side of the pillar that Hell's Angel starts off. Barely adequate pro and terrifying moves earned this one the coveted "never ever do again" award.

FA: Joe Lynch, 1981

Trad 10m
18 Hell's Angel

Start off the ledge between Brain Death and Hello Sailor. This is the L of the 3 obvious lines. Start up the long corner with a feisty little move at 4m. Blast for glory all the way to the top, watching for loose rock on the way. Natural anchors and chains at the top, the easiest way to get off is to rap off the chains, 2 ropes are required. The chains are hard to find; look around and they will appear.

FA: Rick White & Ian Cameron, 1971

Trad 40m
18 Angel Rider

The only real way to go. Start up HA to where it is possible to branch off R at about 15m. Climb up the fantastic corner to a bowel-quivering finish. Descend as for HA.

FA: Philip Waters, Scott Camps & Steve Mansfield., 1984

Trad 50m
22 Highway Robbery by a Midget on a Shetland

The line between Hell's Angel and Easy Rider leading to the top of Angel Rider. Thin, fiddly gear at low crux, take lots of gear around green alien size and some micro wires. Grade will vary on the length of your limbs or size of your blinkers as Douglas was able to reach Easy Rider at points. Climbs the best rock on this wall, no idea why it wasn't done before.

FA: Wendy Eden & Douglas Hockly, 16 Aug 2016

Trad 30m
20 R Easy Rider

Not as good as the previous 2 routes. Although the actual moves are fantastic, there are far too many loose blocks and holds to make this climb enjoyable. Dodgy pro can also be found in abundance; if you're into that stuff, you should love it!

FA: Trevor Gynther, 1979

Trad 40m
17 Macraderma

This climb should never have existed. Directly below HS is a large hole in the ground. If you are totally bored, and have run out of pencils to poke in your eyes, lower into this pit of despair and climb back out. Poor protection completes this climb's classy credentials!

FA: Paul Caffyn, Ian Cameron & Rick White, 1969

Trad 30m
19 Hello Sailor

Used to be graded 18, so it was the scene of many a bruised and battered ego. Start up the initial corner to a gruntologist's fantasy move. Finish with much style to the top. There is a bolted rap station at the top of the route to get off.

FA: Rick McGregor, Lincoln Hall & Len Gillman, 1976

Trad 20m
25 R Bongo Gongo Wasto Ergo Sum

Hard! Up the desperately blank corner to a piton that looks like it was placed about the time that Capt. James Cook landed. Continue up with very thin protection to a bolt at 1/2 height. Slightly easier climbing to the top... but not much.

FA: Simon Vallings, Andy Barker & RUssel Chudleigh, 1984

Trad 20m
24 The Last Ungreat

Serious climbing in an exposed and photogenic position. Start directly above BGWES, climbing the R side of the pillar that Angel Rider finishes on. Up the crack, then some very hard moves past the bolt to the top. Magnificent, but terrifying. Get off as for AR.

FA: Stuart Camps & Scott Camps, 1984

Trad 15m
24 Gone and Forgotten

A very impressive onsight. Up the thin seam that splits the face 2m R of BGWES. Tendon-rupturing moves above RPs see you to a hard move at 4m. Continue up the line with classic moves and even better gear the whole way.

FA: Chris Shepherd, 1982

Trad 20m
24 Suicide City

Originally had a pillar in the initial corner and was graded 22. The pillar was pulled off by an overenthusiastic Dave Moss, the climb got significantly harder... and the grade stayed 22. The start is hard and unprotected for the first few metres, so if you don't want to hit the ground you can swing over from the Hollywood Rattlesnake abseil and preplace the first bit of gear. The climbing is really good - tricky, sustained and strenuous to protect, and deserves to be more popular.

FA: Rick McGregor. Re-established by Rob Staszewski., 1976

Trad 20m
17 R Genghis Khan

The horrible dark chimney to the R of SC. This climb is a disgusting grunt fest with no real worthwhile protection.

FA: Paul Caffyn & Sid Tanner, 1969

Trad 20m

Showing 1,001 - 1,100 out of 2,855 routes.

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