Routes in Walk The Line

One of the classic lines at Harvey's. Spectacular, big, steep and hard. Up the obvious featured face right of the arête to a high crux.

The low start of Walk The Line adds about 4 tough moves. Starting holds - RH crimp, low LH undercling.

A spectacular steep face with a terrifying landing and a crux hold that feels like it shouldn't hold your weight but somehow does. Lots of pads and spotters recommended.

Up and down route. Can be started low or from the little block.

Face just L of the block.

Some nice features up the obvious line of holds between the block and arête.

Tall arête with cool holds.

Tall vague arête. Pretty good.

Cruxy start on the face and vague arête and then moving up to join Titanic Arête 2.

Crimpy face from a sit start.

As for above problem but then move R via some small slopey holds.

Starts with small crimps and then up to featured line of small holds.

Sit start on the arête with big ledge for feet and then move left through the bulge.

Start straddling the tree and follow the thin, overhanging flake left to a slopey finish. Watch the block that makes the landing awkward.

The stand start of Turkish Delight is a very pleasant V5.

Just L of the finish of Turkish Delight.

Tucked into the jungle is this interesting scoop.

A very tough single move with a very small LH crimp and terrible feet.

Start on the arête with a high LH pocket. Up and follow the line of holds for a few moves and then a fantastic finish.

From a high hold.

Fun traverse starting next to the tree and moving around right. The rock can be a little crusty.

A fun little sit start in the corner using the RH boulder only (hard V3).

Sit start same as The Naughty Corner except use both boulders (soft V3).

From chunky sidepulls/undercling crank to the lip & topout.

Sit/crouched start. Grab the slopey edge at the lip. Tough mantle.

Steep sit start off low edge; watch the holds. Up to the lip & mantle. See also Disintegration VS.

Start with the lip. Holds may break off. See also Disintegration.