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1 - 100 di 244 vie.

Grado Via Stile equipaggiamento Popolarità
14 Trick or Treat

What a complete waste of time, paper and oxygen! Yet another case of beard stroking bumblies at work. The vegetated outcrop on the L halfway down the scree slope.

FA: Bill Norris, 1980

Trad 4m
5 Smegma

The short line just left of The Root.

FA: Unknown

Trad 5m
5 Root

The tree root left of COC, described in 1968 as "one of the best routes around"

FA: unknown

Trad 7m
20 R Sleight of Hand

Really very good and deserves to be more popular. Originally done as a solo. The small dark wall to the left of COC offers enjoyable and classy face climbing. Yet another top rope candidate as the climbing should really not be missed. Take off a grade if you're tall!

FA: Kevin Pearl (solo), 1979

Trad 8m
22 R Lord Drool

Really good climbing, a pity about the gear. Start on the ledge above SOH. Off-balance moves up a L leaning seam get you to a stance and a very lonely carrot bolt. From there sequency and thin moves see you to the top. Easier if you reach around to the R. Potential for a very effective deck-out if you fall from near the top. A good candidate for top roping.

FA: Richard Henderson, 1986

Sportiva 6m
13 Clockwork Orange Corner

Very popular, mainly due to the fact that it stays in the shade all day! Classy but technical climbing ascends the very obvious corner R of SOH. Excellent gear (if you have a number of fist-sized cams) with a slightly awkward and overhung crux. Up easily to DBB as you top out of the corner.

FA: Rick White & Chris Meadows, 1968

Trad 15m
23 Bel-air

Up the crack on the R edge of the COC chimney. Climb this till it ends at a daunting overhang. Whack in a nest of gear and blast for the bolt (carrot) over a hard bulge for a move or two. Continue R and finish easily.

FA: Paul Hoskins Re-established by Richard Henderson & Paul McAntee, 1980

Trad 15m
17 R Blow by Blow

Solo up the face of the pillar to the left of OA up to a ledge and tree. It is best to get off there. If you must, climb the shallow seam just to the L of OA on very dodgy pro to the top.

FA: Mike Law, 1970

Trad mista 18m, 1
21 R Novocastria

The arête left of OA, one old carrot, #1 RP essential

FA: David Gray & adam darragh, 1985

Trad mista 25m, 1
14 Orchid Alley

Often nicknamed "Awkward Alley", to avoid the awkwardness, you will be climbing committing bridging and face moves. Climb a great hand crack corner to a flake at 3m... the straight forward climbing ends there. Blast up the wide and grunty crack to the ledge with a tree on the L. From here 3 lines are possible, using a combination of the left crack and middle arete moves is exciting and good climbing.

FA: Rick White & Chris Meadows, 1968

Trad 20m
22 Left Behind

Halfway up OA, this short climb traverses R over the slab, under the block, and finishes up the arete (head L onto wall near the finish).

FA: Robbie Allen

Trad 12m
10 Strawberry Alarm-clock

A classic of the chimney style and a must do if you're into that sort of thing. The dark chimney to the left of DWHP. A challenging lead for the novice climber. Despite reputation the climb offers good placements the whole way. Make sure to extend gear below large block (crux) at half height followed by a run out section if you don't have a #6 cam or big bro. 30 meters to top out.

FA: Rick White & Chris Meadows, 1968

Trad 20m
24 Down With His Pants

Start just to the right of SA chimney. Up the arete and face following 3 carrots.

Stuart Camps and Gordon Bieske originally did the top crack in March 1983, called Runners are Nuts.

FA: Roger Bourne & Evan Bieske, 1985

Trad mista 20m, 3
19 Nemesis

This wide and daunting crack has seen more than its fair share of aspiring leaders turned into a dribbling, pumped, senseless mass of despair! The gear is excellent, but make sure you take up plenty of big gear to protect this climb adequately. Without this protection, a ground fall is extremely probable. Lay back up the first crack on polished foot holds to a ledge at 6m. From here, thrash up the wide crack until it is possible to step R. Easily to the top.

FA: Ted Cais & Mike Meadows, 1969

Trad 25m
23 Lambs Fry

Very difficult for the vertically challenged! Kick off the tree to get up the initial blank corner. A hard mantle onto a choss-filled ledge gains a rest. Up the cracked arete above.

FA: Jeff Lamb & Dave Wagland, 1980

Trad 25m
12 Lape

An absolute must do for the aspiring hex-clanking, hemp rope-using, old school, lord of thrutch! The tight chimney to the LH of AS. A difficult move off the top of the pillar. Take big gear for behind the pillar and make sure to extend it also.

FA: Lance Rutherford & BWC party., 1969

Trad 27m
21 American Snake

Up Lape to the top of the pillar (you have already been warned). Step R and up the arete, then good pro and moves in the crack above. The move off the pillar is hard and unprotected.

FA: Paul Hoskins & Fred From., 1981

Trad 27m
22 No Return

Start up the finger crack in the V-groove R of Lape, step off the top of the pillar, but continue out to the arete. Up this shaky affair past a roof to a ledge. Continue up and around R to finish. Absolutely desperate, with quite small and shallow gear at the crux!

FA: Rob Staszewski, 1979

Trad 30m
23 No Return Direct Finish

The corner above the ledge. Not really a lot better than the original.

FA: Chris Shepherd, 1982

FA: Paul Hoskins, 1983

Trad 5m
25 R Life at the Top

Quite risky and serious. Climb the tree R of NR until you can step onto the blank face above the bulge. Follow a thin pocketed seam until it ends, keep going R until a jug comes to hand. Mantle as for NR.

FA: Chris Shepard. Roger Bourne eliminated the two fixed slings., 1982

Trad 30m
27 Time for Tea

Classy climbing up a visionary line. Go up the broken corner R of NR, to some rooflets. Past these on the left, passing bolts. From here, veer up and L (nut possible), then begin angling diagonally to the arete. From there, veer L to the top on super thin holds, and quite exposed climbing.

FA: Steve Mayers, 1987

Sportiva 35m, 6
25 R You Climb This, I'll Climb Something Else

Death. Start at the arete just R of TFT. Climb past 2 bolts and a wire at the roof. From here, climb with tendon-rupturing brutality up the arete and wall past the gap where Rob removed the bolts, thereby returning the route to its original state. This was done to honour Rick White's dream of a bolt-free cliff.

FA: Rob Staszewski. Direct start added by Scott Camps., 1984

Trad 40m
22 Fat Dog

The utterly contrived piece of junk to the L of A1. Step off the rock pedestal onto the arete. Climb the face, avoiding the crack, to the ledge above. Move R to a crack system and finish up the thin seam.

FA: Andrew Barry, 1983

Trad 10m
18 R Arknamton 3

This climb is horrible. A very short, vegetation-filled off-width with loose rock and poor pro. If you decide to climb this, hit yourself really hard, and move on!

FA: Kevin Pearl & Fred From, 1978

Trad 12m
14 R Arknamton 1

Grotty climbing on loose flakes makes this yet another death lead classic! Up the hollow flakes, with surprisingly ok gear to the ledge. Ascend the corner behind to the top.

FA: Ross Allen & Sid Tanner, 1969

Trad 30m
18 Arknamton 2

A bit of a ramble up to a corner which has a few OK moves then make your way to a tree and rap or continue as for A1.

FA: Ross Allen & Sid Tanner, 1969

Trad 30m
19 R Non Compos Mentis

A blight on the face of the world. 10 sticks of dynamite could only assist in making this climb slightly better. The wide, loose, dark line, full of loose blocks and worse!

FA: Joe Lynch & Jeff Morgan., 1981

Trad 25m
23 Dangerously Sane

The orange arête between Non Compos Mentis and Self Expression. Start in NCM, nice moves up and diagonally R past a small triangular pedestal to gain a crack on the R wall, (alternatively, thrutch up the ugly offwidth). Hug the arête passing two BR's (crux) to another small pedestal (alien/TCU on R). Continue straight up the arête to finish R of the bulging rock on top. Chain on tree. 2 BR's, wires, SLCD's. A small alien or TCU in a thin slot makes the second half less dangerous/more sane. It fits a quadcam but not as well.

FA: Matt Hutton & Danny Rose

Trad 22m
26 Self Expression

Truly insane climbing up a desperately thin seam. Wobble and shake and whimper your way up on good RPs, small wires and one crappy piton. Strenuous, technical and classy. This was an awesome and inspiring effort by Kim Carrigan.

FA: Kim Carrigan, 1984

Trad 20m
17 Canned Heat

The orange, shattered corner to the R of SE. Bush bash about 10m to the base of the route. Loose and often dirty, this route is quite demanding for the grade. Protection is ample; placing it is another thing.

FA: Rick White & Ian Cameron, 1969

Trad 20m
29 How Are Your Calluses Today?

This brutal and sustained tendon destroyer features some of the sharpest and thinnest crimpers on the cliff. Step onto the L side of the large blank wall to the L of EF. Follow the line of bolts up the face to the top.

FA: Sebastian Schwertner, 1992

Sportiva 20m
14 Electronic Flag

A long and very popular series of corners and cracks. Decent gear all the way but if you're belaying be aware that there are several ledges that the leader could hit.

There are three choices of start to this route: the rightmost is the Direct Start (19) which takes the clean layback corner into the line.

The middle start goes up the crack 2m on the L which leads to a short chimney; this goes at 17.

The original route (14) starts 4m L up the line of least resistance. Blast up this to a ledge, and then thoroughly absorbing climbing up the overhanging chimney section.

Rap at trees and chain (2 ropes to get down, or 1 x 70m will suffice).

FA: Rick White & Ian Cameron, 1969

Trad 40m
17 Electronic flag DS - LHS

The left of the two direct starts.

Trad
19 Electronic Flag DS - RHS

Instead of climbing left of it, go straight up the almost perfect crack in the almost perfect corner. This used to be graded 17, but the thrashing feet of 10 thousand struggling leaders have reduced this to a spit polished sandbag.

Trad 10m
18 Second Song

A traverse from 'Electronic Flag' over to 'Fluid Journey'.

FA: Stuart Camps & Scott Camps, 1984

Trad 30m
25 Paranoia

Brutal but amazing climbing up the searing corner R of EF. Up and L into the seam proper to a small stance. Blast up this to the ledge above. Completely unrelenting in the second half. Despite its appearances this route is well protected. Bring loads of small wires and cams.

FA: Kim Carrigan, 1978

Trad 25m
24 The Gentle Lion

A good second pitch to Paranoia. Climb the improbable and technical shallow seam directly above. There are some dodgy flakes on the face, beware! Join 'Wango Tango' (which comes in from the R), continue easily to the top.

FA: Dave Faernley & Kim Carrigan, 1982

Trad 12m
24 Worrying Heights

Absolutely stunning climbing up one of the better lines on the entire cliff! This long and technical corner involves some of the most amazing bridging and lay backing there is. Be prepared for a run out crux. Finish up Piranha.

FA: Chris Peisker., 1979

Trad 30m
24 Ginger Bitch

A direct finish to QC, or a fun variant finish for Insomnia. Instead of stepping R and climbing up the finish of Insomnia, climb the arete directly above the finish of QC passing 2 bolts. Bowel-rupturing exposure, and nice technical movement makes this climb well worth the trip.

FA: Scott Camps, 1987

Trad 15m
23 Quite Contrary

A link up. Start at the corner 1m R of WH. Up the closed corner and into Piranha. Up the R crack of Piranha until it blanks out. From here, step R into Insomnia and up. There are better routes to do.

FA: Kim Carrigan & Louise Shepherd., 1982

Trad 40m
20 Piranha

An amazing route that is a must do. Up the tricky start to a ledge. Step L into the bottomless chimney, doing some funky moves up the corner. A desperate bulge at the top of this groove provides loads of excitement, as well as the crux. Flop with much joy onto the ledge. Belay is possible here. A tricky move off the ledge gains a small crack which eases off very quickly. Up the obvious line above to a ledge and rap rings.

FA: Ted Cais & Rick White, 1970

Trad 45m
19 Wango Tango

A variant finish to Piranha. It features quite nice climbing, but the rock quality is questionable in places. Off the ledge, climb Piranha until it steps L, and keep going out L across the wall. Breathe a sigh of relief when you reach the crack, bumble up above with great moves and gear.

FA: Dave Moss & Paul Hoskins., 1982

Trad 15m
22 Insomnia

One of the first 23s in Australia! Although previously downgraded, this route has lost none of its spice over the years. Up the brilliant V-groove with phenomenally classy bridging and face work, capped by a desperate mantle on to the ledge. From here, grunt up the classic off-width to an easy finish! Originally aided by Staszewski and Killop, they backed off realizing that a better climber might one day free this amazing line. All were stunned and inspired when it was freed by Henry Barber. The initial corner has a fair bit of loose feeling rock, take care.

Done by Coral Bowman (US) in 1976, when it was 21, likely the first female ascent at this grade in AU.

FA: Henry Barber & Rick White, 1975

Trad 40m
21 Fluid Journey

Quite good. Up the initial corner to a hard move onto a ledge. From here, thin locking and classic bridging bring the top to hand.

FA: Ajax Green & John Smart, 1977

Trad 40m
18 Fluid / Epic Link Up

Climb Fluid Journey until possible to pull into Epic Journey at about half height. Dont traverse too low or you will end up in the crux of Epic Journey. Combines the easiest sections of both routes.

Trad 30m
23 Epic Journey

Brilliant, graceful and absorbing climbing up the twin cracks starting off the small ledge right of FJ. Some of the most elegant face climbing and layaway moves around. Step L into the single crack with joyous jamming and chimney moves above.

FA: Rick McGregor, 1977

Trad 30m
27 R Stand in Line

Wow! Start up the desperate corner R of EJ with crappy gear and a rusty piton playing head games with you as you stare it in the eye! If you fall in the first 15m, it is more than likely that you will deck out! Climb this to a stance. Up the desperately thin corner on imaginary holds, using scary and spacious protection to the top. Some good wires about half way up are the only real protection you get on the whole route. Quite a serious lead although it really does feature some excellent movement. Kim rapped this then did it first shot. Rather impressive.

Edit: A large section of rock at the bottom of the climb fell off the route in 2019.

FA: Kim Carrigan, 1981

Trad 28m
25 Green Plastic Comb

A very hard route to protect well on lead. Start on the cracked arete, up this for a few moves and then out onto the R face. Quiver up the face on thin holds with RPs and flared token cam placements guaranteeing your concentration! A hard move on the arete moves the route to the L face and an excellent #3 RP. From there, flail up the face to where the obvious diagonal crack line leads R to a ledge. This crack is actually quite easy but feels relatively hard due to the fact that most climbers are pumped completely senseless by then! Follow this to a ledge, then easily up. Rap as for SIL.

FA: Tobin Sorenson & John Allen., 1979

Trad 20m
26 Sadhana

If your arms are still capable of basic function, this should help to finish them off! The direct finish to GPC features classic climbing up a delicate arete. From where the crack goes R, head straight up the arete past a lone bolt. Run it out to the top.

FA: Scott Camps & Kishi Takamori, 1988

Trad mista 10m, 1
27 R Handy Andy

Most people tend to onsight this route, due to the fact that a fall could be very nasty! Bridge up the completely blank corner, pretending that there are actually holds. Very desperate climbing past the two pitons. Not a climb for the faint hearted.

FA: Kim Carrigan, 1982

Trad 20m
27 R Flange Desire

Death lead. Climb the blank corner to the R of HA, with what could best be described as "mind protection" for gear. Two manky pitons and RPs that look pretty are all you get. What is even more impressive is that Kevin put this up ground up - he tried it one day, it started raining so he downclimbed, came back the next day and did it. One of the most impressive first ascents in Australian climbing history.

FA: Kevin Lindorff., 1983

Trad 25m
28 Brown Corduroy Trousers

This imposing line is on the wish list for many budding Frog-climbing gods! The stunning shallow corner swallows up RPs and micro cams. The upper section has two extremely thin and technical cruxes. Rap off the bolts.

FA: Kim Carrigan., 1982

Trad 25m
25 Barbed-wire Canoe

Absolutely brilliant climbing, although possibly one of the most sustained routes here. Brilliant bridging up the open-book corner to the flake at the top.

FA: Tobin Sorenson & John Allen, 1979

Trad 27m
26 Chook Fear

Bridging, layaways and levitation are all required to get up this imposing, blank corner. At the top, step R to the tree. An Olympic rhythmic gymnast may be able to bridge across to WO; as for normal people, attempting this could destroy more than just your pants!

FA: Charlie Creese, 1981

Trad 20m
26 Wild One

A very strenuous outing and an excellent section of flared hand jamming. The start has two options, both hard. You can start up CF for a few moves and then traverse in - possibly easier but less well protected. The direct start up the seam is nails but has good gear. Brilliant sustained climbing sees you to the tree on the ledge. Although Rob Staszewski and Rick McGregor attempted the route in various styles, it was up to Kim Carrigan to free the route by the direct.

FA: Kim Carrigan, 1978

Trad 20m
21 Cock Corner

This pump fest provides some of the best and most sustained crack climbing on the cliff. Blast up the unrelenting crack in the steep corner. The crux is unfortunately above a ledge at 2/3rd height with a good chance of hitting it, then easily to the top.

Tobin Sorenson did this in his sandshoes as his first route at the cliff.

FA: Henry Barber, 1975

Trad 30m
21 I'm a Mop

Very nice! From the ledge at 2/3 height on CC, step R onto the arete. Super stylish moves and exposure past a bolt , and then into a small cracked corner at the top.

FA: Stuart Camps & Scott Camps., 1984

Trad mista 8m, 1
25 Stonkers and Steroids

The direct start to IAM. Stick clip the first bolt, and step out to the arete from the start of 'Cock Corner'. Very thin and technical climbing up the arete past 4 bolts, finish up 'I'm a Mop'.

FA: John Pearson, 1988

Trad mista 30m, 4
20 Cock Crack

Marked by the initials "AA" for Artificial Aura, which was the climb's actual name (so named because it looked so ridiculously hard, but actually went quite easily). The route, however, had been named Cock Crack, and through the ages, no doubt due to Alzheimer's, alcohol and drug abuse, the names were swapped and Cock Crack was re-born! Climb the widening hand crack to a stance. Up the wide section by chimney moves or very classy and thin bridging to where the crack closes again. Motor up the brilliant crack and arete on super holds to finish. Big gear essential. Finish at the chains for Infinity.

FA: Ted Cais & Rick White., 1974

Trad 38m
16 Satan's Smokestack

The start is easier if you are tall. Climb boldly up the front of the wide crack to avoid the thrutch. From there, wander into the bottom of this 4-sided chimney, with the stars being given only for the unique style of climbing you are about to have thrust upon you! If you are into this sick perverted style of climbing, give it two more stars! Chimney or bridge up this to a ledge at the top. Continue up the R in another chimney, or alternatively on the face. Belay at the chains of Infinity. Big gear is not essential to adequately protect this route.

FA: Rick White & Chris Meadows., 1968

Trad 40m
19 Infinity

A contender for the best 19 in the country! The old school off-width is the only way to go for apprentice gruntologists. All the sane people start in the corner to the R. Up this past a tricky move out of a cave at 1/3 height to a stance (crux). From here, up the beautifully sculpted line to the top. Simply magnificent climbing. Rapping on a 70m rope will get you to the middle of the scramble at the base of the climb.

FA: Ross Allen & Rick White., 1970

Trad 40m
22 Infinity Variant Finish

From the start of the diagonal on Infinity, step L up the face past 1 bolt. A scary and atmospheric little route.

FA: Kim Carrigan & Rick White, 1982

Trad mista 10m, 1
22 Equality

Hard and committing. Start up the same line as for Infinity. Continue up to a ledge past a grunty fist crack. Suck in the big ones, attach your kamikaze head band, and thrash (screaming for glory) up the blank bulge with greasy little holds making life really interesting. There is no mention of gear here, because there is not much to be found. Whimper with joy and relief when the crack finally opens up for better gear and easier moves to the top.

FA: Rob Staszewski & Dave Moss, 1979

Trad 40m
22 Lonely Teardrops

Stunning quality, an absolute classic. Start on the ledge above and R of the start to Infinity. Steep jamming and locking leads to a pronounced crux rounding the bulge. Great gear, a little spaced at the crux, but completely bombproof. Finish easily up to the Infinity chains.

FA: Rob Staszewski & Dave Moss, 1979

Trad 22m
24 Quietly Superior

Originally named Crystal Blue Persuasion, Rob S. claims that the climb was stolen from under his nose... Buy him a beer for the full tragic tale! Regardless of that, the climbing is excellent, with the gear being very good, but a little fiddly to place in spots. Aliens and RPs help a lot. Brilliant bridging and chimney moves up the orange corner to the R of LTD.

FA: Marty Beare, 1980

Trad 20m
23 Rudys Got New Shoes

What some used to consider a good route has since been rendered obsolete by a tree.

Trad 18m
19 Jigsaw

An absolutely brutal start up the narrow V-groove splitting the pillar to the L of WC. From here easily up to the level of WC ledge. Follow up a short hard corner, with the last moves at the top keeping things interesting.

FA: Rick White & Ian Cameron, 1971

Trad 35m
25 Witch's Arête

A little top-rope fun on the arête left of Witches Cauldron. Make your way up the arête making use of crimpers, fridge-hugging skills and/or delicate footwork.

Corda dall'alto 12m
15 Witches Cauldron (Variant Finish)

Start up W.C. until it is possible to step left into the chimney. Up this onto the pillar and straight up the hand crack to a trad placed belay below the 2nd pitch of W.C.

Trad 14m
12 Witches Cauldron Pitch 1

Start marked 'WC'. A hundred ways to get up this twin cracked, 3 sided chimney! A better access pitch to 'Plume Ledge' than SAW.

FA: Rick White & Chris Meadows, 1969

Trad 12m
12 Witches Cauldron Pitch 2

The way the route originally finished. Start on the L of Plume Ledge. A brutal grunt up the horribly tight body chimney directly above pitch 1. There is not a lot of gear but it doesn't matter as you are so stuck in this thing that it would be very hard to come out anyway! A must do for all aspiring guardians of Frog ethics!

FA: Rick White & Chris Meadows, 1969

Trad 18m
14 Mr Frog

Up Witches Cauldron then through the body crack to finish up Witches Covert.

FA: Tyson & Jade Burns, 17 Apr 2023

Trad 17m
20 R Quick

Don't fall on this extremely under protected route... gravity will definitely win! Up Harlot for a move or two, then up the arete. Really classy moves, and quite enjoyable climbing. It's a pity the piton used on the first ascent didn't stay in! Some pro can be found in the crack around on the L face, but it won't help much if you fall near the top.

FA: Rob Staszewski & Derek Sheldon, 1976

Trad 13m
18 Harlot

A good and technical boulder problem to a stance at 3m. It's best to jump off here but if you must, strap on some knee pads and thrash for glory up the wide crack above.

FA: Rick White & Ron Collett, 1969

Trad 12m
16 Mrs Frog

Climb Witches Covert past ledge. Up hand crack until possible to step over into body crack then through to finish up Witches Cauldron.

FFA: Sam J & Caroline Dinon, 1 Mag 2023

Trad 13m
18 Witches Covert

A good start up the 2 cracks R of Harlot up to a ledge. Negotiate the overhanging hand crack to the top chimney. The top is ugly, loose and unavoidable, but thankfully it is also very short.

FA: Rick White, 1970

Trad 12m
19 Humility

A classic one-move wonder, the face R of WC. Start off the ledge on the R. Wobble up on thin and balancy moves until a jug on the L arete comes to hand. Easily up the line past a piton (hidden from view) to a tricky little mantle move at the ledge. Easily up to Plume ledge.

FA: Ross Allen, 1970

Trad 15m
17 Humility (Left Variant)
Trad 10m
14 Psychedelic Apricot

A hard lead for a beginner, above a big ledge. Lay back the corner to the ledge. Easily to the top. A number 5 cam is essential to keep this lead safe. Bolted belay anchor.

FA: Bob Gowan., 1969

Trad 15m
15 Rest Area Ahead

A one move special, and a soft touch at the grade. Start at the obvious crack in the corner R of Humility. Up this with excellent protection to a ledge. Bumble easily to the top as for PA. Bolted belay anchor.

FA: Simon Uren, 1981

Trad 10m
6 Saturday Afternoon Walk

The easiest climb on the cliff. Wander up the line of least resistance to the right of RAA. It's also a good way to get to Plume Ledge quickly.

FA: Ron Collett (free solo)., 1969

Trad 15m
16 R Saturday Afternoon Walk DS

Boulder up the unprotected pillar just left of Chocolate Watchband

Trad 6m
18 Chocolate Watch Band

Great climbing up the pillar bisected by an ever widening crack. The crux is near the top, coming out of a cave into a fist jam section. Easily up and L to Plume Ledge.

FA: Rick White & Rod Bolton., 1969

Trad 17m
23 Nosy Business

Up the blunt arete to the R of CW. Delicate and strenuous moves past 2 bolts. Veer L here with much difficulty and moaning to put a runner in CW to keep things sane. Continue up past 2 more bolts to the top.

FA: Mark Moorhead & Rod Young, 1983

Trad mista 20m, 4
18 Gladiator

An absolute classic at the grade, and a test piece jamming problem. Up the pumpy and strenuous hand crack, milking the numerous rests and stances as they come to hand. Some of the best hex placements at Frog are found here. Straight up to DRBB.

FA: Chris Peisker, 1975

Trad 20m
16 Christian

A gruntologist's dream. Clang your hexes for joy and release a tribal yelp before plunging head first into this body chimney. It climbs better than it looks. A serious lead however due to some questionable rock. Take big gear to keep it sane and somewhat safe.

FA: Ross Allen, Ian Cameron & Rick White, 1975

Trad 17m
24 Bitching and Back Stabbing

Start on the far L side of the little ledge of ML. Move up the front of the detached pillar passing 2 bolts on the way. Not too bad.

FA: Paul Hoskins, Chris Frost & Darren Holloway, 1988

Trad mista 12m, 2
23 Midnight Lightning

The dark corner capped by a small triangular rooflet really deserves to be more popular. Difficult and bold climbing on good gear leads to a tough move around the roof. A tough finger crack finishes off this classy route.

FA: Joe Lynch & Rob Staszewski, 1981

Trad 15m
26 Inhibition

Hard and grunty climbing on one of the sexiest looking aretes to be found. Start off the little ledge above WC then slap, crimp and wobble your way up past 3 FH to the top. Avoid the temptation to grovel off L and you will be rewarded with some beautiful exit moves!

FA: John Pearson (early's), 1990

Trad mista 20m, 3
24 Instant Karma

Bold and risky face climbing. Start 1.5m L of ME. Up a short crack to the rest at a rooflet. Flail up the desperate face through the bulge with not a whole lot of protection! The upper wall is a little easier and quite classy, although you might be such a jibbering mess that you don't remember.

FA: Scott Camps, 1984

Trad 25m
19 Midnight Express

Innocently evil! This fine-looking hand crack very quickly turns into a fiendish off-width. Some loose choss to negotiate when first entering the body crack. Most chock stones wobble until up high. Committing

FA: Ted Cais & Ian Thomas, 1973

Trad 23m
19 Psychedelic Apricot Pitch Two

Although the climbing is actually quite good, the rock on this orange corner at half height is loose and hollow, so be cautious on the lead.

FA: Rick White & Ian Cameron (some aid)

Trad 25m
18 Plume

From the right side of 'Plume Ledge' (facing the cliff) Climb the obvious hand crack infront of a forked tree (belay). Great jamming up to a diagonal traverse right to a jug, then up the thinning crack trending slightly left on face holds to top mantle.

FA: Fred From, 1976

Trad 25m
20 Termination

Brilliant face climbing up the thin face on the far L of the ledge. Despite appearances, protection is excellent throughout the whole climb (provided you have RPs), and it is a must do at the grade.

FA: Fred From, 1976

Trad 18m
16 Integrated Injection Logic

The twin crack system capped by a small roof to the L of Faki. A bumble up the start of this route will hopefully not dull the senses. Some tricky moves above adequate but slightly spaced protection see a good rest come to hand below the roof. Hand traverse L under the roof and around onto the face (crux). Strenuous and sustained moves to the top are sure to bring a smile to your face.

FA: Fred From, 1976

Trad 15m
14 Faki

The best 14 here! The brilliant L facing corner is an excellent introduction to sustained bridging and jamming. Rap chain is visible just up from the ledge.

FA: Fred From (solo), 1976

Trad 13m
22 R Safe as Milk

Bold and strenuous climbing with not much in the way of good protection! Start at the crack just R of Faki on brilliant thin hand jamming. Fron here, pack your spare undies, move up the arete for a move or two, and then R and up through the bulge! Although there is adequate pro (just), it is still a very serious proposition.

FA: Marty Beare & Stuart Camps, 1983

Trad 15m
22 Old Guard

Brilliant climbing up the dark corner to the R of Christian. Up easily for 7m to a stance. Release a blood-curdling howl and tear up the hard lay back line to the top like a frenzied madman! Technical jamming and layback sequences provide thoroughly absorbing and sustained movement all the way. Milk the rest at half height, as that's all you get. From the ledge at the top, one hard move onto the wall and you can step L onto Plume Ledge. Finish here, or get extra "old school points" by thrashing up the final wide groove above.

FA: Kim Carrigan & Marty Beare, 1978

Trad 40m
20 Keed Spills

A better variant finish for OG. At the start of the last groove on OG, step R and climbing the thin crack up the face. Be careful as the first few moves are completely unprotected and you could be reduced to a whimpering mess with the technical and exposed moves above.

FA: Fred From & Mark Morwood, 1981

Trad 15m
23 Perversion

Up the wall to the R of OG. Not done very often. Up the initial corner, which is quite technical and interesting. Rest at the ledge and then blast up the thin seam past 2 ancient pitons. Not the best route around.

FA: Marty Beare, 1983

Trad 40m

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